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FinishingUrushiJapanese Urushi embodiesthe art of varnishing in itshighest form. It is made fromthe natural resin of the Asiantea tree (rhus vernicifera) andhas been used in Japan toprotect and lend a beautifulgloss to furniture, bowls,boxes, handles and jewelryfor over 6,000 years.c OIL-FREE RAW LACQUERSLower-quality, oil-free lacquer forintermediate layers in the Nuritate andRoiro technique. The uncoloured lacqueris dark brown by nature but can becoloured with pigments if required. Mostcoloured coats are mixed by the painter.But because of their frequent use, premixedblack lacquers have always beenprovided by the lacquer manufacturer.Naka Nuri Urushi, UncolouredContent 100 gno. 716309 43.90 €/100 g 36.89 € 43.90 €d OIL-FREE LACQUERSThese high-quality, oil-free lacquers areused for hard and shiny top coats in theRoiro technique. The uncoloured lacqueris dark brown by nature but can becoloured with pigments if required. Mostcoloured coats are mixed by the painter.But because of their frequent use, premixedblack lacquers have always beenprovided by the lacquer manufacturer.Kijiro Urushi, UncolouredContent 100 gno. 716324 53.90 €/100 g 45.29 € 53.90 €Naka Nuri Urushi, BlackContent 100 gno. 716310 43.90 €/100 g 36.89 € 43.90 €Kuro Roiro Urushi, BlackContent 100 gno. 716325 53.90 €/100 g 45.29 € 53.90 €ga / B / c / d / e / f1 2 3 4g URUSHI, PIGMENTVery fine, non-fading pigments madefrom coloured titanium oxide for makingyour own coloured Urushi lacquers.Uncoloured Urushi lacquers are usuallydark brown after hardening. Somecommon colours such as red and blackare also sold ready for use as top coat bythe manufacturer. To create other coloursand dye intermediate layers, you mixa maximum of 40% pigments with theindividual lacquer mixtures you are applying,depending on the colour intensityyou want. Please note that the higher thepigment content in the lacquer, theJuncoloured black reda KI URUSHIeRaw Urushi with a water content of about25% for all priming work. The universal B KI URUSHI FOR SURI URUSHIbase lacquer is suitable for sealingwooden surfaces before applying thelacquer layers as well as for mixingpriming coats with clay. This lacqueris also required for mixing a kind ofadhesive by adding rice glue (boiled,mashed rice) for applying layers oftextile. Uncoloured.Content 100 gThis raw lacquer with a high watercontent (25%) is used for the SuriUrushi technique without covering layers.It is similar to the Ki Urushi used forundercoats but is much thinner. Thetwo lacquer types are produced fromlacquer trees that grow in different areas.Uncoloured.Content 100 gno. 716240 34.50 €/100 g 28.99 € 34.50 € no. 716306 32.90 €/100 g 27.65 € 32.90 €5longer it takes to harden and the moredifficult it is to apply thin layers.Content 50 g (55.80 €/100 g)Colour1 dark red no. 716300 23.45 € 27.90 €2 red no. 716301 23.45 € 27.90 €3 yellow no. 716302 23.45 € 27.90 €4 blue no. 716303 23.45 € 27.90 €5 black no. 716304 23.45 € 27.90 €KIJO-MI URUSHIFiltered raw lacquer with a high watercontent of approx. 25% that is well suitedfor final polishing. In the Roiro technique,this lacquer is used to impregnatethe last Urushi layer. It dries much fasterthan the other lacquers (approx. 2-4hours) and is polished with a mix ofMigakiko polishing powder and camelliaoil. This lacquer is used uncoloured evenon coloured objects. Uncoloured.Content 50 gno. 716323 223.80 €/100 g 94.03 € 111.90 €hh URUSHI-POLISHING PASTEFor Roiro Urushi Technique:This ultra-fine polishing paste is usedin the last step of the Roiro Urushitechnique.The smoothlysandedsurface of theobject‘s NakaNuri layer ispolished withthe pasteusing a soft cloth. Then the surface isimpregnated several times with Kijo-miUrushi and, after a short drying time,is given its final polish with a mix ofMigakiko (polishing powder) and oil.Weight 320 gno. 716327 117,50 €/1 kg 31.60 € 37.60 €f LACQUERS MIxED WITH OILLacquers mixed with approx. 20% oil fortop coats in the Nuritate Urushi technique.Because of the high oil content,the top coat is not polished in the NuritateUrushi technique. The uncolouredlacquer is dark brown by nature but canbe coloured with pigments if required.Most coloured coats are mixed by thepainter. But because of their frequentuse, pre-mixed black and red lacquershave always been provided by the lacquermanufacturer.Jo-Shuai Urushi, UncolouredContent 100 gno. 716241 45.20 €/100 g 37.98 € 45.20 €Jo-Shuai Urushi, RedContent 100 gno. 716242 64.60 €/100 g 54.29 € 64.60 €Jo-Kuro Urushi, BlackContent 100 gno. 716243 45.20 €/100 g 37.98 € 45.20 €ii MIGAKIKO POLISHING POWDERFor Roiro Urushi Technique:Fine mineral powder for the finalpolishing of Roiro Urushi lacquers.The powder is used together with oil(e.g. camellia oil) for polishing thedried Kijo-mi Urushi impregnation.Weight 180 gno. 716366 32.17 €/100 g 48.66 € 57.90 €J CLAYClay is an important component ofthe priming coat in the Urushi coveringtechniques. The priming buffers the movementof the base material and allowsan optimum bond with the subsequentlacquer layers.1 Clay, JinokoThe fine Jinoko clay consists mainly ofmarine sediments (kieselguhr) and, aftermining and drying, is baked in a furnacebefore being crushed. It is used for thefirst priming layers.Content 500 gno. 716360 44.80 €/1 kg 18.82 € 22.40 €1 22 Clay, TonokoTonoko is acoarser clayfrom specificregions andconsistsmainly ofaluminiumsilicate.Unlike Jinokoclay, it is notbaked and is mainly usedfor the final priming layers.Content 500 gno. 716362 21.40 €/1 kg 8.99 € 10.70 €KK URUSHI-BRUSH, »KIRIDASHI HAKE«Hand-made specialised brushes with aV-shaped head for even application ofUrushi top coats. In the manufacturingprocess, fine Japanese hair is gluedtogether and embedded in a cedar woodshaft. After use, the brush must be rinsedthoroughly in turpentine oil.Overall length 200 mmWidth15 mm no. 716370 52.52 € 62.50 €24 mm no. 716371 75.04 € 89.30 €30 mm no. 716372 79.50 € 94.60 €ll PLASTIC PUTTY KNIFE FOR MIxINGPlastic putty knife for mixing simpleUrushi lacquers (Urushi and turpentineoil), e.g. for the Suri Urushi technique.Overall length 185 mmWidth 40 mmno. 716308 3.28 € 3.90 €220