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15MB PDF file - The International Poster Center

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CLÉMENTINE-HÉLÈNE DUFAU (1869-1937)<br />

308. Pelote Basque. ca. 1903.<br />

�������� 7�8 in./106.7 x 196.7 cm<br />

Imp. G. de Malherbe, Paris<br />

Cond B-/Restored tears. Framed.<br />

����������������������������������������������������������������������<br />

If there were few female artists during the Belle Époque, there were even fewer good<br />

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won competitions and commissions, the end results of which have given us some of the<br />

best designs of the era. Coming from the Basque region of France, it seemed natural<br />

that an artist of such skill would be the ideal choice to represent the area’s homegrown<br />

sport of jai-alai. <strong>The</strong>re is a deft delicacy in the way she portrays the sportsmen, a perfect<br />

mastery of how to replicate the moment of sheer rapture as the women inhale in surprise.<br />

It is a beautiful balance between glamour and excitement.<br />

Est: $12,000-$15,000.<br />

310<br />

LEON CONSTANT DUVAL (1877-?)<br />

309. Beaulieu. 1936.<br />

23 5 �8 x 39 in./60 x 99 cm<br />

Imp. Lucien Serre, Paris<br />

Cond A. Framed.<br />

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308<br />

JULIUS USSY ENGELHARD (1883-1964)<br />

310. Lucy Doraine. �����<br />

���<br />

�����������������������������������������������������������������������������������<br />

�������������������������������������������������������������������������������������<br />

oldest building in the village, dating from 1095. It seems like the perfect place to get<br />

away from the world, and yet is quite easily accessible by way of rail.<br />

Est: $1,000-$1,200.<br />

3�8����������������������� Messtro<br />

Cond A.<br />

�������������������������<br />

An unusual design for Engelhard, showing off the<br />

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moodily-lit femme fatale.<br />

Est: $2,000-$2,500.<br />

309<br />

311. Treffpunkt. 1920.<br />

36 1�� ������ 7�8 in./92.1 x 119.2 cm<br />

Oscar Consée, München<br />

�����������������������������������������������������������<br />

������������������������������������������������������������������������������������<br />

wherein one can enjoy an afternoon tea or stay late into the evening dancing to a live<br />

band. It is a picture of sophistication and German grandeur.<br />

Est: $2,500-$3,000.<br />

312. Boccaccio. 1920.<br />

36 5�8������ 3�� in./93.2 x 123.6 cm<br />

Oscar Consée, München<br />

Cond A-/Slight tears in margins.<br />

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A moody hysteria pervades this design, helped in no small part by the swirling mauve<br />

shadow cast by a pair of high-spirited dancers, reveling with disciplined abandon in order<br />

to promote a revival of an operetta loosely based on the life of Italian Humanist prose and<br />

poetry writer Giovanni Boccaccio (1313-1375). Penned by “Franz von Suppé (1819-1895)<br />

. . . [who] was in many ways the father of Viennese operetta . . . One of the most popular of<br />

all Viennese operettas, Boccaccio . . . [was] one of those happy ones set in Italy, allowing for<br />

all sorts of native dances. . . . <strong>The</strong> role of Boccaccio was taken by Antonie Link (women<br />

would traditionally play the part until the 1920s) and Rosa Streitman was his beloved<br />

Fiametta in a clever libretto which placed the actual poet Boccaccio in his own Florence . . .<br />

Boccaccio’s name alone must have intrigued a good many theatergoers to visit the many<br />

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This is the before-letters version of this poster.<br />

Est: $1,700-$2,000.<br />

311<br />

313. See-Restaurant Starnberg. ���������<br />

��� 1 �2�������������������������<br />

Oscar Consée, München<br />

Cond A-/Very slight tears in margins.<br />

�����������������������������������<br />

A beaming fraulein stands happily under an ochre and<br />

tan awning, sailboats jutting into a pink sunset behind<br />

her, as various delights from this German restaurant<br />

are spread out for the evening.<br />

Est: $1,700-$2,000.<br />

ERIC<br />

312<br />

313

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