15MB PDF file - The International Poster Center
15MB PDF file - The International Poster Center
15MB PDF file - The International Poster Center
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341<br />
342<br />
343<br />
341. Suzy Deguez. 1905.<br />
29 3 �� x 77 in./75.6 x 195.6 cm<br />
G. de Malherbe, Paris<br />
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Accused in newspapers by the dancer Mata Hari<br />
of copying her heavily-researched temple dances<br />
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sensuous dancer in the early 1900s. She was one<br />
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toned bodysuit, opting to actually go as nude as<br />
this poster would imply when on stage. Here we<br />
see elements of Mucha in the lavish two-sheet<br />
design – a wonderful example of French Art<br />
Nouveau.<br />
Est: $5,000-$6,000.<br />
342. Grafton Gallery. 1893.<br />
21 x 29 3 �� in./53.5 x 75.7 cm<br />
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Cond A-/Unobtrusive folds.<br />
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PAI-XLVIII, 256<br />
This design is always credited with having<br />
been done in order to promote the Exhibition<br />
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London. As no copy with text has ever been<br />
seen, this most likely was a decorative panel<br />
sold by the gallery in conjunction with their 1938)<br />
exhibition.<br />
Est: $1,400-$1,700.<br />
344. Monaco / Concours de Canots. 1905.<br />
H. GRAY (Henri Boulanger, 1858-<br />
1924) & CHARLES BRUN (1825-<br />
1908)<br />
343. Cycles Buffalo. ca. 1902.<br />
38 1 �8 x 53 3 �8 in./97 x 135.6 cm<br />
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Cond B+/Restored tears at folds.<br />
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A dramatic poster of a cowgirl outriding her<br />
horse-bound companions in hot pursuit of her<br />
bicycle company’s mascot, the tasty buffalo.<br />
Est: $2,000-$2,500.<br />
JULES-ALEXANDRE GRÜN (1868-<br />
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“Multiple events, renewed and enhanced every year, represented one of the<br />
assets of the Principality and a reason to retain the rich clientele after the<br />
traditional Winter season and the climax of the Nice carnival. <strong>The</strong> month<br />
of April was therefore chosen for the motorboat competition. <strong>The</strong> fact that<br />
Grün produced two posters tells us that he worked for several years for the<br />
principality. Both posters are equally luminous . . . elegant visions retaining<br />
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sailboat looks at the race on an ultramarine sea with grey glints . . . One<br />
notices that the typography, generously drawn by hand, is everything but an<br />
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(Grün, p. 126).<br />
344
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