15MB PDF file - The International Poster Center
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476<br />
477<br />
479<br />
480<br />
478 481<br />
M. PELTIER<br />
476. Imprimerie A. Barbière. 1900.<br />
��� 3 �8 x 20 3 �8 in./36.6 x 51.7 cm<br />
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Cond A-/Tears at edges.<br />
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A charming promotional poster with full calendarium<br />
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general composition gives a heavy nod to Mucha and<br />
other Art Nouveau masters of the period.<br />
Est: $800-$1,000.<br />
PERCIVAL PERNET (1890-1977)<br />
477. Championnat du Monde. �����<br />
25 3 �� x 39 3 �8������������������<br />
��������������������<br />
Cond A.<br />
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Geneva World Championships makes one almost able<br />
to feel the spray off the boats as they cut through the<br />
surf. This is the larger format version of the poster.<br />
Est: $2,000-$2,500.<br />
GILBERT PHILIBERT<br />
478. Philips. 1923.<br />
29 3�� ������ 1�2 in./75.6 x 115.6 cm<br />
Edia, Paris<br />
Cond A-/Slight creases, largely in bottom text.<br />
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JAC PYROL (Jacques Saignier)<br />
481. Yvonne Blanc. ca. 1935.<br />
30 1�2������ 1�2 in./77.5 x 118 cm<br />
Atelier Girbal, Paris<br />
Cond A-/Slight tears at bottom edge. Framed.<br />
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Est: $4,000-$5,000.<br />
GEORGES REDON (1869-1943)<br />
As if dancing around a Maypole or participating in<br />
a séance, dozens of merry-makers have come from<br />
around the world in honor of the Philips lightbulb<br />
appearing from on high. In the crowd are maharajas,<br />
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Est: $1,000-$1,200.<br />
PABLO PICASSO (1881-1973)<br />
479. Ceret. 1958.<br />
19 7�8 x 26 1�� in./50.5 x 66.6 cm<br />
Imp. Arnera, Vallaris<br />
Cond A/P.<br />
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Located in the south of France, Céret is famous for<br />
its Museum of Modern Art, which houses paintings<br />
by Chagall, Matisse, Herbin, and Soutine. <strong>The</strong> crux<br />
of its modern collection, however, centers around an<br />
impressive array of works by Picasso, including his<br />
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from 1911 to 1912, and Café Pablo in the town is<br />
dedicated to him. Forty-plus years after he resided<br />
there, the Musée held an exhibition of his ceramic<br />
works and Picasso designed this poster to promote<br />
it, a sunshiny burst of creative elation executed in<br />
traditional red and yellow Catalan hues.<br />
Est: $2,500-$3,000.<br />
LUISA POLO<br />
480. San Remo. ca. 1933.<br />
23 3�� x 38 1 In the mid-1930s, Yvonne Blanc was a wellknown<br />
pianist, shown here playing on her ‘dancing<br />
keyboard’ in a promotion for her latest album. <strong>The</strong><br />
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Colin emerging throughout the design.<br />
Est: $2,000-$2,500.<br />
CHARLES HENRI CLÉMENT QUINTON<br />
(1851-1920)<br />
482. Lacs Anglais / Ullswater. 1906.<br />
5 �������� �8��������������������<br />
Imp. Courmont Freres, Paris<br />
������������������������������������������������<br />
A sweeping Impressionist rendering of a leisurely<br />
afternoon picnic along Ullswater, the second largest<br />
�������������������������������������������<br />
Est: $1,200-$1,500.<br />
ARMAND A. L. RASSENFOSSE<br />
(1862-1934)<br />
483. Salon des Cent / February 1896.<br />
18<br />
�8 in./60.2 x 97 cm<br />
G. Ricordi, Milano<br />
Cond A.<br />
A smiling blond showers the viewer with rose-colored<br />
blossoms, inviting everyone to enjoy the many yearround<br />
delights San Remo has to offer.<br />
Est: $1,000-$1,200.<br />
1 484. Casino de Paris / Féminissima / Liane de<br />
Pougy. �����<br />
31<br />
7 �8������ �8�����������������<br />
�����������������������<br />
Cond A-/Two tears in margin.<br />
��������������������������������������������������<br />
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A sophisticated, straight forward design that visually<br />
links the Salon with its sister publication La Plume. In<br />
the background, a woman peruses the latest creations<br />
by artists represented at the Salon, while the lady<br />
facing us views the same images within the pages of<br />
the magazine. On the bottom, it notes that La Plume<br />
���������������������������������������������������<br />
it was technically the other way around, wherein La<br />
Plume used the Salon as a marketing outlet for the art<br />
it published. <strong>The</strong> exhibitions lasted until 1900, while<br />
the magazine stayed in circulation until 1913.<br />
3�8������������������������� Imp. Minot, Paris<br />
Cond B/Slight tears at folds.<br />
�������������������<br />
A charter member of the Salon d’Automne, Redon<br />
employed a lighthearted touch that showed up in his<br />
contributions to Parisian humor magazines as well as<br />
his paintings and posters. However, there’s nothing<br />
humorous about the sensual ultra-femininity that<br />
he uses to promote a musical evening of poetry and<br />
pulchritude at the Casino de Paris featuring Liane de<br />
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Paris’ most beautiful and notorious courtesans. Born<br />
Anne Marie Chassaigne and raised in a nunnery,<br />
Pougy became a noted demimondaine and rival<br />
of La Belle Otero. Noted more for her looks than<br />
her talent, Sarah Bernhardt, faced with the task of<br />
teaching Liane to act, advised her that when she was<br />
on stage, it would be best to keep her “pretty mouth<br />
������� This is the larger format version of the poster.<br />
Est: $1,700-$2,000.<br />
JOSEP RENAU-MONTORO (1907-<br />
1982)<br />
485. Gran Feria de Valencia. 1935.<br />
���3 �8 x 63 1�2 in./115 x 162 cm<br />
Imp. Ortega, Valencia<br />
Cond B+/Slight tears at folds.<br />
����������������<br />
A bold, monumental image printed in honor of<br />
the annual Grand Festival of Valencia in Spain.<br />
In place of the standard mantilla on the woman’s<br />
head, we see the Ratpenat – a heraldic symbol used in<br />
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Est: $2,000-$2,500.<br />
JUAN REUS<br />
483<br />
482<br />
484<br />
485