15MB PDF file - The International Poster Center
15MB PDF file - The International Poster Center
15MB PDF file - The International Poster Center
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LOUIS TAUZIN (ca. 1845-1914)<br />
530. Lutetia Hotel & Restaurant. ca. 1910.<br />
531<br />
YVES THOS (1935-)<br />
531. La Douceur de Vivre. 1959.<br />
JAN TOOROP (1858-1928)<br />
532. L’Oeuvre / Venise sauvée. 1895.<br />
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Imp. F. Champenois, Paris<br />
Cond B-/Restored tears at folds.<br />
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A simply awe-inspiring nighttime view of one of Paris’s<br />
most famous hotels – its sheer size overwhelming<br />
the boulevard and its inhabitants. Built in 1910, it is<br />
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department store which sits opposite it on the square.<br />
Est: $2,000-$2,500.<br />
1�2 in./117 x 158.8 cm<br />
13 x 19<br />
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Cond A-/Unobtrusive folds.<br />
Expanding on the original poster by Giorgio<br />
Olivetti for Fellini’s masterpiece La Dolce Vita,<br />
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shows a parade of characters traipsing through<br />
the Roman night. In the lower right area it notes<br />
that one must be at least 18 years or older to see<br />
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Est: $1,000-$1,200.<br />
1�2����������������� Cond A.<br />
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Toorop’s black-and-buff promotion for the Théatre<br />
de l’Oeuvre’s production of Venise sauvée (Venice<br />
Preserv’d) – which was also used as the program<br />
cover for the production – is an outstanding<br />
example of the extremes to which Toorop would<br />
take the sinuous forms of Symbolism, as well as an<br />
expressive statement of his conviction regarding<br />
the interaction between decorative and emotional<br />
elements present in the Art Nouveau style. <strong>The</strong><br />
English Restoration play by Thomas Otway was<br />
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literally places the play’s thematic inferno, involving<br />
political intrigue, conspiracy, the defense of honor,<br />
attempted rape, murder, suicide, and madness,<br />
directly in the public’s eye.<br />
530<br />
532<br />
Est: $1,500-$2,000.<br />
HENRI DE TOULOUSE-LAUTREC<br />
HENRI DE TOULOUSE-LAUTREC (1864-1901)<br />
533. Aristide Bruant Dans Son Cabaret. 1893.<br />
37 1 ������������������������������������������������������<br />
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brutal quality of the entertainer and the disdain with which he<br />
Imp. Charles Verneau, Paris<br />
treated his audiences by having him show us the broad of his<br />
Cond B-/Slight tears at folds. Framed.<br />
back. <strong>The</strong> red scarf forms an exclamation point, punctuating<br />
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the black expanse and the pose itself makes a complete, self-<br />
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contained statement–Toulouse-Lautrec at his very best. Rare<br />
proof before the addition of letters.<br />
Bruant’s strong, forceful, and in many ways vulgar style was<br />
ideally suited to the intimate cabarets where fashionable<br />
Est: $35,000-$40,000.<br />
533
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