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HSS_11<br />

HARRY POTTER AND TWILIGHT AS<br />

TRANSGRESSIVE PHENOMENA<br />

Maria Verena Siebert<br />

Fakultät für Philologie; Ruhr-Universität Bochum, 44780 Bochum, Germany<br />

e-mail: maria.siebert@rub.de<br />

What Harry Potter and Twilight most obviously have in common is their commercial success<br />

as mass entertainment. This is, in large part, due to the conservative nature of these texts.<br />

Why then, should they be labelled “transgressive”?<br />

These works of fiction transgress boundaries in three ways: Harry Potter and Twilight both<br />

have transgressed the border of the medium, multiplying the literary text into a multitude of<br />

texts dispersed across different media and thus building a franchise. They have also<br />

transgressed the borders of nations with their international success stories. Last but not least,<br />

they have transgressed the border between children’s and adult’s literature. This last<br />

transgression is the one that has received most critical attention and has helped the<br />

proliferation of the term “kidult”. Though children’s literature had always addressed both<br />

children and their parents, the adult consumption of children’s literature in the cases of Harry<br />

Potter and Twilight has added fuel to the flames of the discussion about the infantilization of<br />

adults through consumer capitalism.<br />

The dissertation project will focus on the adult/child distinction in these works of fiction and<br />

in the meta-discourse about them. The startling paradox between the clear-cut distinction of<br />

children and adults in these fictions and the fears about the blurring of this distinction voiced<br />

in real life will be the subject of analysis.

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