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HUNGARIAN STUDIES 11. No. 1. Nemzetközi Magyar ... - EPA

HUNGARIAN STUDIES 11. No. 1. Nemzetközi Magyar ... - EPA

HUNGARIAN STUDIES 11. No. 1. Nemzetközi Magyar ... - EPA

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LUGOSI IN HOLLYWOOD 131commit himself to a California state mental hospital for treatment of hisproblem. 71 The indignity of going public with what was a forbidden andunsavory subject at that time in American society would have broken a lesserman, and had he allowed himself to weaken, Lugosi would have joined theranks of other film personalities whose lives and careers were destroyed bysubstance abuse.However, a strong will - backed by a persistent fear of death - took Lugosifrom an emaciated victim to an exuberant recovery over a three-month period.In spite of all of the setbacks, Lugosi maintained his belief that stardom andacclaim would return. He grandly announced his intention to work again uponhis release from the hospital, and told the story of his recovery to anynewspaper or magazine that would listen. (Lugosi knew well the value ofpublicity of any kind to boost his career). 72 At the same time he married forthe fifth and last time, his young bride a disciple, like Wood, of his classicscreen performances. Lennig, who had met Lugosi as a teenager, recalled thatthe marriage made the front page of one of the major New York dailies. 73Producers Aubrey Schenck and Howard W. Koch were intrigued enough withthe rejuvenated Lugosi to cast him in their production The Black Sleep (1956) -another horror film, low-budget by most Hollywood standards but miles aboveWood's efforts, and backed with a more substantial cast that included BasilRathbone, Akim Tamiroff, John Carradine and Lon Chaney Jr., as well as TorJohnson, the professional wrestler who frequently played monsters in Wood'sfilms. But a return to a more mainstream film did not bode well for Lugosi, whohad an inconsequential role as a mute servant to Rathbone's mad scientist.Echoing his frustration of 25 years before when offered Frankenstein, Lugosipleaded for some dialogue, so to placate him director Reginald LeBorg shotsome speaking sequences for Lugosi. These, however, did not appear in the finalprint. A revealing publicity photo shot on the set shows LeBorg placing areassuring hand on an obviously petulant Lugosi's arm while the other actors,with more to do in the film, remained in character. 7 *Lugosi's relationship with Wood remained strong - Wood even accompaniedLugosi and his new wife Hope on their honeymoon as their driver. 75 WhenWood had raised some money to shoot a project tentatively titled Tomb of theVampire, Lugosi accepted. About the same time, Wood handed his star a scriptfor a short film he planned to shoot for a possible television sale called The FinalCurtain. Both were firmly rooted in Lugosi's screen persona, and Wood plannedto use some earlier footage of Lugosi in his Dracula cape. However, the deal forTomb of the Vampire, like many of Wood's projects, fell through and theperpetually improvident filmmaker had to search out funding from othersources. 76

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