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56 LÁSZLÓ K. GÉFINemphasizing his own proud Romanness and acquiscence in the new order laiddown by Augustus. Conversely, Radnóti's commitment to the pastoral may betaken as a sign of his otherness, of a desire to forge a kind of Hungarianidentity for himself through a process of poetic self-making whereby he wouldescape some of his major precursors and also rid his work of the slightest hintor trace of a nationalism he so vehemently detested but which few of hiscontemporaries were able or willing to do. However ambiguously and inadequately,the invocation of the prophetic persona in the last eclogues may alsoobliquely indicate the emergence of the Jewishness he so categorically renouncedand repressed. Radnóti's use of the eclogue is disruptive of the verytradition in which he had attempted to inscribe the undescribable; and if thefour razglednicas, his last poems, are any indication - the second one being asort of farewell to the pastoral and the fourth an exact prophecy of his owndeath - he may very well have abandoned the eclogue form and the wholeclassicizing manner along with it, had he lived. After all, he was only thirty-fivewhen he was cut down by the executioner's bullet.Notes1. In order to distinguish between Virgil's and Radnóti's eclogues, I have used Eclogue /for Virgiland First Eclogue for Radnóti, and so on.2. In the essay The Eclogues of Miklós Radnóti B. S. Adams has stated that this reversal of rightand wrong is "the basic idea of the Eclogues" (Adams 391). I am grateful to Clive Wilmer andGeorge Gömöri's edition and translation of Radnóti's selected poems Forced March for alertingme to Adams' article. For the translation of Radnóti's eclogues in my paper, while consultingnumerous other editions, I have mainly relied on the Wilmer Gömöri translation, withoccasional modifications of my own.3. For Virgil's eclogues I have used László Havas's edition; for my translations I have consultedthe Fairclough translation in the Loeb Classical Library.Works CitedB. S. Adams, "The Eclogues of Miklós Radnóti," The Slavonic and East European Review XLIII(June 1965), 390-399.Theodor W. Adorno, "Notes on Kafka" in: Prisms, Cambridge, Mass.: MIT Press, 1981.Mihály Babits, Esszék, tanulmányok, ed. György Bélia. 2 vols. Budapest: Szépirodalmi, 1978.Marianna Birnbaum, "Introduction," in: Miklós Radnóti, Under Gemini, transi. Kenneth and ZitaMcRobbie and Jascha Kessler. Budapest: Corvina, 1985.Gilles Deleuze and Félix Guattari, Kafka: pour une littérature mineure. Paris: Edition Minuit,1976.
HELP ME, PASTORAL MUSE 57Paul de Man, "Conclusions: Walter Benjamin's 'Task of the Translator'" in: The Resistance toTheory. Minneapolis: University of Minnesota Press, 1986.George Emery, "Introduction," in: Miklós Radnóti, Subway Stops: Fifty Poems, transi. E. G. AnnArbor: Ardis, 1977.Attila József, összes versei, ed. Béla Stoll, 2 vols. Budapest: Akadémiai Kiadó, 1984.Miklós Radnóti, Forced March: Selected Poems, trans. Clive Wilmer and George Gömöri.Manchester: Carcanet, 1979.—. Napló. Budapest: Magvető, 1989.—. összes versei és műfordításai. Budapest: Szépirodalmi, 1963.Imre Trencsényi-Waldapfel, "Radnóti Miklós eklogái" in: Humanizmus és nemzeti irodalom.Budapest: Akadémiai Kiadó, 1966.Publius Maró Vergilius, Eclogues, Georgics, Aeneid, trans. H. Rushton Fairclough. 2 vols. LoebClassical Library. Cambridge, Mass.: Harvard University Press, 1978.—. Vergilii Eclogae, Vergilius eklogái, ed. László Havas. Budapest: Tankönyvkiadó, 1989.
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BERLIN ET PARIS DE LAJOS TIHANYI 10
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116 KEVIN E. KELLYfilms Lugosi made
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126 KEVIN E. KELLYvampiric nobleman
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134 KEVIN E. KELLY19. Lennig, 112-1
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THE AGON OF IRONY AND SATIREIN GYÖ
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THE AGON OF IRONY AND SATIRE 139poe
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THE AGON OF IRONY AND SATIRE 141tra
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MURDER IN THE MOUNTAINSTranslated b
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MURDER IN THE MOUNTAINS 157"Afraid?
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MURDER IN THE MOUNTAINS 159Abády,
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MURDER IN THE MOUNTAINS 161"The mar
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MURDER IN THE MOUNTAINS 163Bálint
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MURDER IN THE MOUNTAINS 165"That is
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MURDER IN THE MOUNTAINS 167at hand,
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CONTRIBUTORSMiklós BÁNFFYLászló
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