HUNGARIAN STUDIES 11. No. 1. NemzetkÃ¶zi Magyar ... - EPA

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44 ZSUZSANNA OZSVÁTH24. Cain, 45.25. "Lapszéli jegyzet Habakkuk prófétához," Works, 136, FS, 3<strong>1.</strong>26. "Töredék," Works, 206, F£, 104-5.27. "Járkálj csak, halálraítélt!" Dorfes, 115, FS, 24.28. "őrizz és védj," Works, 138, fS, 33.29. "Nyolcadik ecloga," Works, 213, FS, 115.30. "Razglednicák (2)," Works, 214, PS, 117.3<strong>1.</strong> See Randolph L. Braham, The Politics of Genocide: The Holocaust in Hungary, rev. enlargeded. I (New York: Columbia University Press, 1994), 350; Nathan Eck, "The March of Deathfrom Serbia to Hungary (September 1944) and the Slaughter of Cservenka: Story of a Survivorof the Death Pit," ed. Shaul Esh, Yad Vashem 2 (Jerusalem: Publishing Department of theJewish Agency, 1958), 272-281; Also see other eyewitness accounts of the murders atCservenka at YIVO Institute for Jewish Research in New York: the statements of TiborGroner, Max Singer, Alexander Naumann, George Engel, Eugene Klein, Nicholas Derera, L.Benedek, Ladislas Fischer, and R. Rosenthal.
HELP ME, PASTORAL MUSE:THE VIRGELIAN INTERTEXTIN MIKLÓS RADNÓTTS ECLOGUESLÁSZLÓ K. GÉFINLiberal Arts College, Concordia University, Montreal,CanadaIt has become a commonplace in literary history that by the mid-1930s eventhe most committed avant-garde poets belonging to the so-called "thirdgeneration" of writers grouped around the periodical Nyugat turned increasinglyto closed form. Already in 1925 Mihály Babits had called for a "newclassicism,** by which he meant much more than just a return to traditionalversification. Rather, he advocated a return to the "natural totality of eternalart" ["visszatéréssel az örök Művészet ... természetes teljességéhez" Babits II,139]. In addition, there was the Hungarian literary past stretching back at leastto romanticism according to which the poet is supposed to take on the role ofnational spokesman and unacknowledged legislator. Thus the poets abandonedexperimentation as somehow foreign and "un-Hungarian"; one afterthe other like prodigal, errant sons they dutifully returned to the alma materthat refused to tolerate the puerile foolishness and lack of seriousness of anyforeign "ism*' because it was incompatible with the traditional role of the poet.Radnóti's own "turn*' in renouncing earlier expressionist and surrealistexperimentation in favour of more traditional writing conforms to the generaltrend, although the decision to reterritorialize is not without a certain ambivalence.As he wrote in his journals in 1942, "'költőiségem' (mit mondjakhelyette) nagy veszélye az izmusokra való hajlam" [a grave threat to my poeticidentity is the penchant for various isms], and when recalling his having beenunder the spell of surrealism for a time, he tries to pass it off as if it were littlemore than an adventure of youth and a near-fatal disease (267). In spite ofhaving received a solid grounding in the Hungarian classics as a major inHungarian literature, he writes that he knew the poetry of Jean Cocteau"thoroughly" before he knew that of János Arany, adding revealingly that "azAranyhoz fordulás is a lélek védekezése volt" (ibid.) [my turn to Arany wasalso the self-defense of the soul]. At the same time he regrets the taming of hisvisionary powers, and notes with a tinge of ruefulness that "az azzal járt nyelvibátorságot kellene visszaszereznem újra" [I should recover the linguisticaudacity that went with that]. Despite such scattered traces of nostalgia for anHungarian Studies 11 j I (1996)0236-6568/96/$ 5.00 © 96 Akadémiai Kiadó, Budapest
Page 1 and 2: Papers of the Radnóti Memorial Con
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Page 8 and 9: 6 GEORGE GÖMÖRIprobably Fürst an
Page 10 and 11: 8 GEORGE GÖMÖRIof the utmost impo
Page 12 and 13: 10 GEORGE GÖMÖRIén e földön...
Page 14 and 15: 12 GEORGE GÖMÖRINotes1. Miklós R
Page 16 and 17: 14 MIHÁLY SZEGEDY-MASZÁKself alwa
Page 18 and 19: 16 MIHÁLY SZEGEDY-MASZÁKtype is r
Page 20 and 21: 18 MIHÁLY SZEGEDY-MASZÁKpose, the
Page 22 and 23: 20 MIHÁLY SZEGEDY-MASZÁK"Wozu Dic
Page 24 and 25: 22 MIHÁLY SZEGEDY-MASZÁKand Wilme
Page 26 and 27: 24 MIHÁLY SZEGEDY-MASZÁKbeen the
Page 28 and 29: 26 MIHÁLY SZEGEDY-MASZÁKBolond, k
Page 30 and 31: 28 MIHÁLY SZEGEDY-MASZÁK6. Emery
Page 32 and 33: 30 ZSUZSANNA OZSVÁTHand breaks as
Page 34 and 35: 32 ZSUZSANNA OZSVÁTHThe drama echo
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Page 39 and 40: FROM CAIN TO NAHUM 37which, as Csap
Page 41 and 42: \FROM CAIN TO NAHUM 39and bears and
Page 43 and 44: FROM CAIN TO NAHUM 41who sees what
Page 45: FROM CAIN TO NAHUM 438. "A félelme
Page 49 and 50: HELP ME, PASTORAL MUSE 47compete! W
Page 51 and 52: HELP ME, PASTORAL MUSE 49of a priva
Page 53 and 54: HELP ME, PASTORAL MUSE 51Once again
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Page 62 and 63: 60 SAMUEL J. WILSONWe did, however,
Page 64 and 65: 62 SAMUEL J. WILSONbeings and contr
Page 66 and 67: 64 SAMUEL J. WILSONHungarians would
Page 68 and 69: 66 SAMUEL J. WILSONthe Austrians. G
Page 70 and 71: 68 SAMUEL J. WILSONnorth-eastern Zi
Page 72 and 73: 70 SAMUEL J. WILSONoriginally pursu
Page 74 and 75: 72 SAMUEL J. WILSONGörgey's decisi
Page 76 and 77: 74 SAMUEL J. WILSONfrom occurring,
Page 78 and 79: 76 SAMUEL J. WILSON8. Artúr Görge
Page 80 and 81: 78 STEVEN TÖTÖSY de ZEPETNEKtört
Page 82 and 83: 80 STEVEN TÖTÖSY de ZEPETNEKThe c
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Page 86 and 87: 84 STEVEN TÖTÖSY de ZEPETNEKthe b
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94 STEVEN TÖTÖSY de ZEPETNEKNotes
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BERLIN ET PARIS DE LAJOS TIHANYIVAL
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BERLIN ET PARIS DE LAJOS TIHANYI 99
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116 KEVIN E. KELLYfilms Lugosi made
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118 KEVIN E. KELLYthe provinces, no
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120 KEVIN E. KELLYWith his brief an
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122 KEVIN E. KELLYboth his and Dean
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124 KEVIN E. KELLYfollowed it into
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126 KEVIN E. KELLYvampiric nobleman
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128 KEVIN E. KELLYThe film also boo
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130 KEVIN E. KELLYWood remained one
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132 KEVIN E. KELLYLugosi, convinced
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134 KEVIN E. KELLY19. Lennig, 112-1
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THE AGON OF IRONY AND SATIREIN GYÖ
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THE AGON OF IRONY AND SATIRE 139poe
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THE AGON OF IRONY AND SATIRE 141tra
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THE AGON OF IRONY AND SATIRE 143fek
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THE AGON OF IRONY AND SATIRE 145ner
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THE AGON OF IRONY AND SATIRE 147whi
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THE AGON OF IRONY AND SATIRE 149mov
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THE AGON OF IRONY AND SATIRE 151for
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THE AGON OF IRONY AND SATIREA harma
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MURDER IN THE MOUNTAINSTranslated b
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MURDER IN THE MOUNTAINS 157"Afraid?
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MURDER IN THE MOUNTAINS 159Abády,
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MURDER IN THE MOUNTAINS 161"The mar
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MURDER IN THE MOUNTAINS 163Bálint
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MURDER IN THE MOUNTAINS 165"That is
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MURDER IN THE MOUNTAINS 167at hand,
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CONTRIBUTORSMiklós BÁNFFYLászló
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