134 KEVIN E. KELLY19. Lennig, 112-113.20. Interview with John Andrews in Rudolph Grey, Nightmare of Ecstasy: The Life and Art ofEdward D. Wood Jr. (Los Angeles: Feral House, 1992), 69.2<strong>1.</strong> Lennig, 46-47.22. Lennig, 5<strong>1.</strong>23. Lennig, 57-60.24. David J. Skal, Hollywood Gothic: The Tangled Web of Dracula from <strong>No</strong>vel to Stage to Screen(New York: W. W. <strong>No</strong>rton, 1990), 38-39.25. Skal, 43-44.26. McNally and Florescu, In Search of Dracula, 31-78, also in Bob Black, "Son of the Dragon,"Military History, June 1989, 12-13. Francis Ford Coppola's 1992 film, Bram Stoker's Dracula,was an attempt to tie some of the background of Vlad the Impaler to the fictional Dracula.27. Skal, Hollywood Gothic, 73-8<strong>1.</strong>28. Universal press book for Dracula, 1931, quoted in Lennig, 70.29. Gladys Hall, "The Feminine Love of Horror," Motion Picture Classic, January 1931, quotedin Lennig, 7<strong>1.</strong>30. Skal, 85-87. The most infamous of the publicity gimmicks associated with the show was thenurse in attendance at every performance to minister to the faint-hearted. The idea was carriedover from Deane's London production.3<strong>1.</strong> Christopher Finch and Linda Rosenkrantz, Gone Hollywood (Garden City, N. Y: Doubleday,1979), 1-3.32. Clarens, An Illustrated History of the Horror Film, 62.33. Skal, 112-113.34. Skal, 124-125.35. Lennig, 115.36. Skal, 82.37. Skal, 184.38. Lennig, 117-118.39. Lennig, 255-256.40. Lennig, 126.4<strong>1.</strong> Skal, 120.42. Hamilton Deane and John L. Balderston, Dracula: The Ultimate, Illustrated Edition of theWorld-Famous Vampire Play, edited and annotated by David J. Skal (New York: St. Martin'sPress, 1993), xiv.43. Lennig, 127.44. William K. Everson, Classics of the Horror Film (Secaucus, N. J.: Citadel Press, 1974), 85. Thefilm was also a reported favorite of Lugosi's.45. Lennig, 159.46. Peter Bogdanovich, "Edgar G. Ulmer," in Charles Flynn and Todd McCarthy (eds), Kings ofthe Bs (New York: E. P. Dutton, 1975), 389.47. Lennig, 209-212.48. Skal, Hollywood Gothic, 187.49. Lennig, 234-236.50. Deane and Balderston, Dracula, 135.5<strong>1.</strong> Lennig, 282-283.52. Ibid.53. Lennig, 284.54. Lennig, 288.
LUGOSI IN HOLLYWOOD 13555. Jim Mulholland, The Abbott and Costello Book (New York: Popular Library, 1975), 140. Thepattern had been seen before at Universal when Lugosi's Dracula kept the company in the redin 193<strong>1.</strong> A double feature pairing Dracula and Frankenstein in the summer of 1938 also pulledUniversal out of financial trouble and led to the production of .So« of Frankenstein later thatyear. Coincidentally, Abbott and Costello's first feature as a starring team, Buck Privates(1941), and several of their subsequent films maintained the studio's solvency.56. Lennig, 274.57. Lennig, 294.58. Lennig, 5<strong>1.</strong>59. Skal, Hollywood Gothic, 81-32.60. Lennig, 293.6<strong>1.</strong> Richard Bojarski and Kenneth Beale, The Films of Boris Karloff (Secaucus, N. J.: CitadelPress, 1974), 23.62. Skal, 187.63. Charles Beaumont, Remember? Remember? (New York: Macmillan, 1963), quoted in Kelly,"The American Horror Film," 70.64. Grey, Nightmare of Ecstasy, 40.65. Ibid.66. Harry and Michael Medvéd, The Golden Turkey Awards (New York: Berkley Books, 1981), 260.67. Grey, 201, 103.68. Bride of the Monster (Rolling M Productions/Banner Films, 1955), screenplay by Edward D.Wood Jr. and Alex Gordon, quoted in Lennig, 307.69. Interview with Paul Marco for The Incredibly Strange Film Show, The Discovery Channel,March 199<strong>1.</strong>70. Grey, 70.7<strong>1.</strong> Lennig, 308-3<strong>1<strong>1.</strong></strong>72. Lennig, 3<strong>1<strong>1.</strong></strong>73. Lennig, 312.74. Michael B. Druxman, Basil Rathbone: His Life and Films (South Brunswick, N. J., andLondon: A. S. Barnes & Co., 1975), 329.75. Grey, 104.76. Lennig, 315; Grey, 109.77. Medvéd and Medvéd, The Golden Turkey Awards, 307. Plan 9 was the overwhelming choiceas the worst film of all time in the authors' informal poll of the late 1970s.78. Grey, 206.79. Collins, 'The Meanest Man in the Movies," 19.80. The other biography was Robert Cremer's The Man Behind the Cape (Chicago: HenryRegnery Co., 1977).8<strong>1.</strong> Grey, 127. "He was just a little boyl" Wood exclaimed of Lennig's relationship with Lugosithrough correspondence and occasional meetings in the 1940s. "I lived with the man\"82. Grey, 122.
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