12 GEORGE GÖMÖRI<strong>No</strong>tes<strong>1.</strong> Miklós Radnóti, The Complete Poetry, transi. Emery George (Ann Arbor, 1980), 58. (Hence:CP).2. Radnóti Miklós összes művei (Budapest, 1976), 18. (Hence: RMöm), (My translation).3. Emery George, Miklós Radnóti, A Biography (New York, 1986).4. Radnóti, CP, 60.5. Ibid., 87; RMöm, 47.6. Béla Pomogáts, Radnóti Miklós (Budapest, 1977), 33.7. Ibid., For the original text see RMöm, 66<strong>1.</strong>8. Radnóti, CP, 88.9. Marianna D. Birnbaum, Miklós Radnóti, A Biography of His Poetry (Munich, 1983), 139.10. RMöm, 605.<strong>1<strong>1.</strong></strong> Radnóti, CP, 126; RMöm, 87.12. Radnóti, CP, 159. Emery George's translation.13. Miklós Radnóti, Forced March. Selected Poems, transi. George Gömöri and Clive Wilmer(Manchester, 1979) 18, and RMöm, 133.14. Ibid.15. Radnóti Miklós, Napló (Budapest, 1989), 52.16. Radnóti, CP, 189; RMöm, 153.17. Radnóti, CP, 192; RMöm, 156.18. The Holy Bible. Revised Version (London, 1952), 975.19. Radnóti, Napló, 25.20. Ady Endre Összes Versei, vol. 2 (Budapest, 1955), 272.2<strong>1.</strong> Ibid., 265.22. Radnóti, Forced March, 39; RMöm, 213.23. Radnóti, CP, 262; RMöm, 227. Emery George's translation.24. RMöm, 23<strong>1.</strong>25. Kosztolányi Dezső, Válogatott versei (Budapest, 1956), 275.26. RMöm, 232.27. Forced March, 52; RMöm, 238.28. Ibid.; RMöm, 239.29. Ibid., "Majdan az én torz számat is érintette, akárcsak / bölcs Izaiasét, szénnel az Űr..."30. Ibid.
NATIONAL AND INTERNATIONAL IMPLICATIONSIN RADNÓTI'S POETRYMIHÁLY SZEGEDY-MASZÁKEötvös Loránd University, Budapest,Hungary„Durch sein Gedicht stiftet der Dichter Gedächtnis."(Hans-Georg Gadamer)In a short article published in 1974 János Pilinszky, one of the most originalHungarian poets of the twentieth century, made the following claim:"What I find unique in Radnóti's life can be expressed only with the help of theunfortunate expression 'situational congeniality.* In his case talent - which is responsibleonly for a small part of the achievement of a so-called creative man - wassupplemented by a tragic situation that was not foreseeable from the perspective of thebeginning of the poet's career. His early verse contained some Surrealistic elements. Theperfectly bucolic lyrics which followed were entirely unexpected. He seemed to bedestined to compose idylls in a Latin tradition about a paradise lost and regained." 1There may be poetic exaggerations in this statement, but the problemsraised by Pilinszky are by no means negligible. The questions as to howinformation about Radnóti's life may affect the reception of his works andhow the avant-garde and Neoclassicism are related in his poetry are crucial forany historian of literature.<strong>1.</strong> The impact of the poet's tragic fate on the perception of his worksAlthough no reader of Radnóti's verse can ignore the sad end of the poet'slife, it is not the best idea to approach his works from the perspective of hisdeath. While it is undeniable that in his posthumous volume the poems arearranged in chronological order and the date attached to each text has becomea signature for the readers, as well as a metonymy of the speech situation andof some events in the life of its author, it is no less true that a biographicalinterpretation can hardly do justice to the specificity of the speech gesturerepresented by any individual poem, for it may conceal the fact that the lyricHungarian Studies 11/ 1 (1996)0236-3568/96/$ 5.00 © 96 Akadémiai Kiadó, Budapest
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CONTRIBUTORSMiklós BÁNFFYLászló