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Olive Senior - PEN International

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the pull of gravity, found the upright position, placed one hand on his chest and<br />

began to sing. His voice was light and melodious:<br />

In summertime when flow’rs do spring<br />

and birds sit on each tree,<br />

let lords and knights say what they will,<br />

there’s none so merry as we.<br />

WORDS ... PAULINE MELVILLE 13<br />

Other waiting passengers looked away. The songster seemed to have stepped out<br />

of a different period of history. When he had finished singing he looked around and<br />

said, in a melancholy tone, to no one in particular:<br />

‘Have you been to Milton Keynes? There’s nothing there.’ He paused. ‘Nothing<br />

there,’ he repeated, and heaved a great sigh, staring into the middle distance.<br />

The son, in contrast to the father’s relaxed manner, appeared precise, fastidious and<br />

nervous. There was something mocking in the expression on his pale face as he<br />

looked around the station. He waited for a minute or two before accosting another<br />

passerby:<br />

‘Excuse me, sir. Is the next train going to Doncaster? Is it the six-forty-five? Is it?’<br />

The passerby glanced at his watch and nodded. There was no mistaking the relief<br />

and intense satisfaction on the young man’s face as he acknowledged the gestured<br />

response: ‘It is. Good.’<br />

After a while the train that had been waiting in the distance began to snake its<br />

way slowly along to platform four. The woman on the bench stood up. Passengers<br />

drifted towards the edge of the platform. The young man turned and saw the<br />

approaching train, which caused a fluster of movement on his part, first toward the<br />

train; but then he swung suddenly away, and addressed a girl with spiky Mohican<br />

hair who was trying to fold up a buggy and at the same time keep an eye on her<br />

toddler:<br />

‘Is this the train going to Doncaster?’<br />

What had seemed from far away to be a toy metamorphosed into a huge<br />

train with buffet cars and dining cars gliding slowly towards them, rumbling and<br />

creaking as it came to a halt.<br />

‘Yes. This is it.’ She smiled and indicated the departures board, which stated<br />

clearly that the London train left at six-forty-five from platform four and would<br />

stop at Doncaster. ‘Look, see up there.’ But the young man was already quickening<br />

his pace to a loping run as he made his way back to his father.<br />

‘This is it. Quick,’ he said to his father with some urgency. ‘Everyone has said<br />

that this is it. They all say so. I have made several checks. The word is out that this is<br />

the right train.’ The father took his time ambling down the platform, a can of lager<br />

grasped in his hand. The son walked next to him, casting sharp anxious glances<br />

into the empty carriages. Hobbling behind them came the middle-aged woman<br />

whom the son had first addressed on the bench.<br />

The two men boarded the train and made their way down the centre aisle.<br />

They settled down opposite each other across one of the Formica-topped tables in<br />

the bleakly lit compartment. The woman was following them. She struggled to lift<br />

her bag into the overhead rack, then sat down heavily across the gangway from the<br />

pair. A handful of other passengers occupied the surrounding seats. The son could

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