Olive Senior - PEN International
Olive Senior - PEN International
Olive Senior - PEN International
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WORDS ... ESTHER HEBOYAN 27<br />
disentangling him from family, home and decency.<br />
Now and then, an Armenian youth posing as a lover of à la franga music<br />
walked in, faking a purchase of Adamo’s ‘Tombe la neige’ or Cliff Richard’s ‘Living<br />
Doll’. But somehow Aghavni knew the 45-rpms were most likely destined for a<br />
sibling or cousin. She could also tell the young men had been dispatched there<br />
by a conspiring trio that included her dutiful mother, her just-as-dutiful godmother<br />
and a despicable matchmaker fattened on gold, dolmas and lies. The most<br />
disheartening fact: those young Armenian men, dashing and well-intentioned<br />
though they might be, would unrepentantly enjoy nothing but à la turka music<br />
unto their grave. And she, Aghavni Tchamitchyan, who truly craved the mellow<br />
foreign sounds and undecipherable lyrics of unreachable rockers and crooners,<br />
would forever be denigrated by a houseful of in-laws and perhaps be banished<br />
to the back room to listen to Elvis purr and pulse on a second-hand Grundig:<br />
Are you lonesome tonight?/Do you miss me tonight?/Are you sorry we drifted apart?<br />
Aghavni cried her heart out when her Elvis, the one and only, her prince, her<br />
pasha, to whom she had secretly vowed infinite, fecund love, took for a spouse a<br />
certain Priscilla Beaulieu, who smiled from every newspaper and magazine cover.<br />
The caption invariably read: ‘The King has found his Queen.’ Elvis’s bride looked like<br />
a queen, all right. On all the pictures – without exception. Whether photographed<br />
full-face or in profile, that Priscilla looked as though she were made of silver and<br />
pearl, so pretty in her lush white gown and rippling raven hair adorned with an<br />
ethereal bridal veil.<br />
Aghavni wept for days. At first, she devoted herself to cutting out the<br />
newspaper clippings and the black-and-white pictures while she wept. Then<br />
she wept while gazing at the pictures and reading the articles. For two months,<br />
she stayed in her bedroom above the tiny record shop, shedding tears, blowing<br />
her nose into an unattractive feature, listening to Elvis’s amorous voice for<br />
hours on end.<br />
‘What’s wrong with you?’ yelled her parents, taking turns. They flailed their<br />
arms and shook their heads, but mostly tss-tssed as Oriental parents are wont<br />
to do.<br />
To make matters worse, moreover, they now had to run the shop themselves,<br />
and to explain their daughter’s illness to all who would listen. ‘What’s wrong with<br />
her?’ they asked each other again, once acquaintances and customers were out<br />
of sight.<br />
As Aghavni Tchamitchyan chewed on her misery, sudden hope materialised for<br />
Nazar Nazarian of Paris. There, in that world-famous capital city, in his very wallet,<br />
trilled the most promising picture bride of all time. Somehow, the destiny of this<br />
one lonely soul had to merge with that of another.<br />
This is when I came into the picture to write this story of this black-and-white<br />
bride coveted by lonesome Nazar. I went through three family albums to find my<br />
picture bride, the kind whose life story is either totally lost to younger generations<br />
or dealt out in bits and pieces. This one, with the wry smile? No one could<br />
remember, as though she happened to be an unwanted guest at her own wedding.<br />
That one, wearing the tiara? That must be, let me think, that must be chubby<br />
Artin’s eldest daughter, what was her name, by the way? Oh, look at this one, a<br />
legend in her time, a true nightingale, and such grace. And wasn’t that one called