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Olive Senior - PEN International

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WORDS ... ESTHER HEBOYAN 27<br />

disentangling him from family, home and decency.<br />

Now and then, an Armenian youth posing as a lover of à la franga music<br />

walked in, faking a purchase of Adamo’s ‘Tombe la neige’ or Cliff Richard’s ‘Living<br />

Doll’. But somehow Aghavni knew the 45-rpms were most likely destined for a<br />

sibling or cousin. She could also tell the young men had been dispatched there<br />

by a conspiring trio that included her dutiful mother, her just-as-dutiful godmother<br />

and a despicable matchmaker fattened on gold, dolmas and lies. The most<br />

disheartening fact: those young Armenian men, dashing and well-intentioned<br />

though they might be, would unrepentantly enjoy nothing but à la turka music<br />

unto their grave. And she, Aghavni Tchamitchyan, who truly craved the mellow<br />

foreign sounds and undecipherable lyrics of unreachable rockers and crooners,<br />

would forever be denigrated by a houseful of in-laws and perhaps be banished<br />

to the back room to listen to Elvis purr and pulse on a second-hand Grundig:<br />

Are you lonesome tonight?/Do you miss me tonight?/Are you sorry we drifted apart?<br />

Aghavni cried her heart out when her Elvis, the one and only, her prince, her<br />

pasha, to whom she had secretly vowed infinite, fecund love, took for a spouse a<br />

certain Priscilla Beaulieu, who smiled from every newspaper and magazine cover.<br />

The caption invariably read: ‘The King has found his Queen.’ Elvis’s bride looked like<br />

a queen, all right. On all the pictures – without exception. Whether photographed<br />

full-face or in profile, that Priscilla looked as though she were made of silver and<br />

pearl, so pretty in her lush white gown and rippling raven hair adorned with an<br />

ethereal bridal veil.<br />

Aghavni wept for days. At first, she devoted herself to cutting out the<br />

newspaper clippings and the black-and-white pictures while she wept. Then<br />

she wept while gazing at the pictures and reading the articles. For two months,<br />

she stayed in her bedroom above the tiny record shop, shedding tears, blowing<br />

her nose into an unattractive feature, listening to Elvis’s amorous voice for<br />

hours on end.<br />

‘What’s wrong with you?’ yelled her parents, taking turns. They flailed their<br />

arms and shook their heads, but mostly tss-tssed as Oriental parents are wont<br />

to do.<br />

To make matters worse, moreover, they now had to run the shop themselves,<br />

and to explain their daughter’s illness to all who would listen. ‘What’s wrong with<br />

her?’ they asked each other again, once acquaintances and customers were out<br />

of sight.<br />

As Aghavni Tchamitchyan chewed on her misery, sudden hope materialised for<br />

Nazar Nazarian of Paris. There, in that world-famous capital city, in his very wallet,<br />

trilled the most promising picture bride of all time. Somehow, the destiny of this<br />

one lonely soul had to merge with that of another.<br />

This is when I came into the picture to write this story of this black-and-white<br />

bride coveted by lonesome Nazar. I went through three family albums to find my<br />

picture bride, the kind whose life story is either totally lost to younger generations<br />

or dealt out in bits and pieces. This one, with the wry smile? No one could<br />

remember, as though she happened to be an unwanted guest at her own wedding.<br />

That one, wearing the tiara? That must be, let me think, that must be chubby<br />

Artin’s eldest daughter, what was her name, by the way? Oh, look at this one, a<br />

legend in her time, a true nightingale, and such grace. And wasn’t that one called

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