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Olive Senior - PEN International

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52<br />

WORDS ... JOHN MATEER<br />

John Mateer<br />

Pessanha’s House, Lisbon<br />

Carlos, in his long black coat,<br />

stands at the end of the bar<br />

like a magi, listing the names<br />

of cities in Africa and Asia,<br />

giving his opinion on each.<br />

Ana Paula, historian and poet,<br />

with her big green maternal eyes,<br />

listens, her Luanda of last week<br />

vast as the Forbidden City.<br />

And Mónica, too, my Galician love,<br />

has in her heart, at very least,<br />

Torre de Hércules. While Miguel,<br />

the publisher, paces back and forth,<br />

planning, plotting … The first<br />

time I met Carlos was in Macau,<br />

outside the smoky Á-Mà Temple,<br />

he wore a black suit and walked us<br />

along the Inner Harbour to show<br />

the Wall of Dissimulation,<br />

Pessanha’s other home. In his essay<br />

on the poet’s house, it’s a chaotic museum;<br />

Chinese scrolls, statues, plates<br />

everywhere, except in the bedroom<br />

where Camilo sits, tearfully presenting<br />

his mother’s rosary. Carlos may be<br />

right: there are the starry conurbations<br />

of the departing world, and then,<br />

always, the kindly void of the Mother.<br />

Like this bar that, he says, he’s<br />

frequented over the decades,<br />

each time under a different name.<br />

WiPC 50 Years, 50 Cases

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