Jim Marrs - PSI Spies - Amazon S3

238PSI SpiesAsked to mark precisely where the event is taking place,Riley again sketched an elongated S-shaped curing line anddrew a dot past the middle of the S figure. Riley appeared tobecome agitated with what he was seeing. “There is somethingabout this.…” His voice trailed off. “There are thingsaround me.” Riley made a long, slow exhale as he tilted hishead up, eyes closed. Then returned to his paper with eyesopen. He began to sketch.There was no question what he was drawing. It was acurving street lined with trees with tall buildings in the background.In front of the trees, lining the street, was a crowd ofpeople. As if his sketch needs further interpretation, Rileywrote, “Tall structures in background. Green, tree-like, curvingover, tall, hard, crowds, crowded, people.”At this point, Riley asked for an “analytical overlay”break, meaning that he was beginning to analyze the informationhe was receiving. He got up and left the room forseveral minutes.Upon his return, Riley was asked by his monitor, “You knowwhat the target is, don’t you?” He nodded somberly. “It’s theKennedy assassination. That’s why I had to leave for a while.”Riley later said that up until the break he had no idea ofwhat he was viewing. But as it became clear to him, it wasnecessary to take a break. “I already felt that this was theKennedy assassination. It was coming to my mind so strongly.But I had no feedback and I wanted to make sure that I hadno preconceived ideas about what I was seeing.”Riley was asked to sketch what he saw, especially bulletstrikes.