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203<br />

Following the birth of her second child, Mary returned to work on a part-time<br />

basis. Mary’s daughter had “some special needs” and finding the time to take care of her<br />

child’s medical situation proved “stressful.”<br />

That is when I got into supply teaching with the separate school district. It<br />

allows you flexibility with other priorities. It put me in the classroom.<br />

Then my daughter didn’t need me quite as much, her appointments slowed<br />

down and this opportunity came up.<br />

Response to the study.<br />

I was aware that Mary’s centre was Reggio-inspired and sent an invitation to the<br />

Director to participate in the study. I received a call from one of the Directors who<br />

recommended Mary as a candidate. I had met Mary during a previous visit to the centre<br />

and felt her involvement would lend an interesting perspective to the case studies, as she<br />

had no prior experience with the Reggio approach.<br />

During the interviews and focus group, Mary’s lack of experience was evident as<br />

she seemed reserved and unsure in her responses. Articulating conflicting feelings<br />

associated with the merging of old and new ideas, Mary was at a critical juncture in her<br />

journey. She had reached a pivotal point on her journey, but the road ahead for Mary was<br />

strewn with obstacles that would impede progress.<br />

Past practices.<br />

Mary describes her past practice as formatted weekly and “theme-based” with “a<br />

lot more structure.” The teacher directed the curriculum and children were passive<br />

recipients of the weekly theme. This is what we are doing today, this is what were are<br />

doing tomorrow, and this is what we are doing next week.” Mary’s practice included the<br />

use of worksheets for the children’s cognitive learning and often used shapes cut into a<br />

representation of the weekly theme as the foundation of her art curriculum.

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