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283<br />

In this current semester in the winter of 20<strong>07</strong>, I have stopped expecting my<br />

students to implement a three-stage project in their field placement sites. Instead, I have<br />

focused on a projected curriculum, with a focus on documentation and Reggio-inspired<br />

environments. I am inspired by the Hundred Languages of Children Exhibit. The<br />

experience of initiating my college to be a partner in bringing this exhibit to Toronto, I<br />

have had the opportunity to visit it many times. As one of the organizers for the opening<br />

conference, I was instrumental in bringing to the Toronto audience Amelia Gambetti and<br />

Lella Gandini, two Reggio educators from Italy. Both had firsthand experience with the<br />

projects displayed in the museum quality panels of the exhibit, now made famous by its<br />

years of touring the world. The exhibit bears witness to the originality and the<br />

extraordinary nature of the years of research that have led the Reggio Emilia approach to<br />

become a primary point of reference, worldwide, for those who work in early childhood<br />

education.<br />

Reggio Emilia has become my primary point of reference and I have become a<br />

Reggio-inspired educator. I have accepted the challenge of unfolding curriculum in the<br />

classroom and seeking collaborative, reciprocal relationships with my students and my<br />

colleagues. Visiting Italy and the pre-primary schools of Reggio Emilia with three other<br />

educators was both a shared experience as well as a catalyst for collaboration. Sitting<br />

amongst the beautiful, mature trees in the park adjacent to our hotel, down the path from<br />

the famed Diana School, the Acorn Collaborative was born and our first conference<br />

planned.<br />

Since our return in the spring of 2005, we have developed, organized, and<br />

delivered three professional development conferences based on the principles of Reggio

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