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Bongani, the other middleman from my CD business, found out I had a date, and he<br />
made it his mission to give me a makeover. “You need to up your game,” he said. “You cannot<br />
go to the dance looking the way you look—for her sake, not yours. Let’s go shopping.”<br />
I went to my mom and begged her to give me money to buy something to wear for the<br />
dance. She finally relented and gave me 2,000 rand, for one outfit. It was the most money<br />
she’d ever given me for anything in my life. I told Bongani how much I had to spend, and he<br />
said we’d make it work. The trick to looking rich, he told me, is to have one expensive item,<br />
and for the rest of the things you get basic, good-looking quality stuff. The nice item will draw<br />
everyone’s eye, and it’ll look like you’ve spent more than you have.<br />
In my mind nothing was cooler than the leather coats everybody wore in The Matrix. The<br />
Matrix came out while I was in high school and it was my favorite movie at the time. I loved<br />
Neo. In my heart I knew: I am Neo. He’s a nerd. He’s useless at everything, but secretly he’s a<br />
badass superhero. All I needed was a bald, mysterious black man to come into my life and<br />
show me the way. Now I had Bongani, black, head shaved, telling me, “You can do it. You’re<br />
the one.” And I was like, “Yes. I knew it.”<br />
I told Bongani I wanted a leather coat like Keanu Reeves wore, the ankle-length black<br />
one. Bongani shut that down. “No, that’s not practical. It’s cool, but you’ll never be able to<br />
wear it again.” He took me shopping and we bought a calf-length black leather jacket, which<br />
would look ridiculous today but at the time, thanks to Neo, was very cool. That alone cost<br />
1,200 rand. Then we finished the outfit with a pair of simple black pants, suede square-toed<br />
shoes, and a cream-white knitted sweater.<br />
Once we had the outfit, Bongani took a long look at my enormous Afro. I was forever<br />
trying to get the perfect 1970s Michael Jackson Afro. What I had was more Buckwheat:<br />
unruly and impossible to comb, like stabbing a pitchfork into a bed of crabgrass.<br />
“We need to fix that fucking hair,” Bongani said.<br />
“What do you mean?” I said. “This is just my hair.”<br />
“No, we have to do something.”<br />
Bongani lived in Alexandra. He dragged me there, and we went to talk to some girls from<br />
his street who were hanging out on the corner.<br />
“What would you do with this guy’s hair?” he asked them.<br />
The girls looked me over.<br />
“He has so much,” one of them said. “Why doesn’t he cornrow it?”<br />
“Shit, yeah,” they said. “That’s great!”<br />
I said, “What? Cornrows? No!”<br />
“No, no,” they said. “Do it.”<br />
Bongani dragged me to a hair salon down the street. We went in and sat down. The<br />
woman touched my hair, shook her head, and turned to Bongani.<br />
“I can’t work with this sheep,” she said. “You have to do something about this.”<br />
“What do we need to do?”<br />
“You have to relax it. I don’t do that here.”<br />
“Okay.”<br />
Bongani dragged me to a second salon. I sat down in the chair, and the woman took my