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programs for schools. In America they’d be called “diversity programs.” They were springing up all over South Africa because we were supposed to be learning about and embracing one another in this post-apartheid era. This kid’s mom asked us if we wanted to play at a cultural day at some school in Linksfield, the wealthy suburb south of Sandringham where my pal Teddy had lived. There was going to be all sorts of different dancing and music, and everyone was going to come together and hang out and be cultural. She offered to pay, so we said sure. She sent us the information with the time and place and the name of the school: the King David School. A Jewish school. The day of the event, we booked a minibus, loaded it up with our gear, and drove over. Once we arrived we waited in the back of the school’s assembly hall and watched the acts that went onstage before us, different groups took their turns performing, flamenco dancers, Greek dancers, traditional Zulu musicians. Then we were up. We were billed as the Hip Hop Pantsula Dancers—the South African B-Boys. We set up our sound system onstage. I looked out, and the whole hall was nothing but Jewish kids in their yarmulkes, ready to party. I got on the mic. “Are you ready to rock out?!” “Yeahhhhhh!” “Make some noise!” “Yeahhhhhh!” I started playing. The bass was bumping, my crew was dancing, and everyone was having a great time. The teachers, the chaperones, the parents, hundreds of kids—they were all dancing like crazy. Our set was scheduled for fifteen minutes, and at the ten-minute mark came the moment for me to play “Let’s Get Dirty,” bring out my star dancer, and shut shit down. I started the song, the dancers fanned out in their semicircle, and I got on the mic. “Are you guys ready?!” “Yeahhhhhh!” “You guys are not ready! Are you ready?!” “Yeeeaaahhhhhhhh!” “All right! Give it up and make some noise for HIIIIIITTTTLLLLEERRRRRRRRRR!!!” Hitler jumped out to the middle of the circle and started killing it. The guys around him were all chanting, “Go Hit-ler! Go Hit-ler! Go Hit-ler! Go Hit-ler!” They had their arms out in front of them, bouncing to the rhythm. “Go Hit-ler! Go Hit-ler! Go Hit-ler! Go Hit-ler!” And I was right there on the mic leading them along. “Go Hit-ler! Go Hit-ler! Go Hit-ler! Go Hitler!” The whole room stopped. No one was dancing. The teachers, the chaperones, the parents, the hundreds of Jewish kids in their yarmulkes—they froze and stared aghast at us up on the stage. I was oblivious. So was Hitler. We kept going. For a good thirty seconds the only sound in the room was the beat of the music and me on the mic yelling, “Go Hit-ler! Go Hit-ler! Go Hit-ler! Put your hands in the air for Hitler, yo!” A teacher ran up behind me and yanked the plug for my system out of the wall. The hall went dead silent, and she turned on me and she was livid. “How dare you?! This is disgusting! You horrible, disgusting vile creature! How dare you?!”
My mind was racing, trying to figure out what she was talking about. Then it clicked. Hitler had a special dance move called o spana va. It means “where you work” and it was very sexual: His hips would gyrate and thrust, like he was fucking the air. That was the move he was doing at the moment the teacher ran out, so clearly the dance was the thing she found so disgusting. But this was a move that African people do all the time. It’s a part of our culture. Here we were sharing our culture for a cultural day, and this woman was calling us disgusting. She was offended, and I was offended by her taking offense. “Lady,” I said, “I think you need to calm down.” “I will not calm down! How dare you come here and insult us?!” “This is not insulting anyone. This is who we are!” “Get out of here! You people are disgusting.” And there it was. You people. Now I saw what the deal was: This lady was racist. She couldn’t see black men dancing suggestively and not get pissed off. As I started packing up my gear, we kept arguing. “Listen, lady. We’re free now. We’re gonna do what we’re gonna do. You can’t stop us.” “I’ll have you know that my people stopped people like you before, and we can stop you again.” She was talking, of course, about stopping the Nazis in World War II, but that’s not what I was hearing. Jews in South Africa are just white people. All I was hearing was some white lady shouting about how white people beat us before and they’ll beat us again. I said, “You will never stop us again, lady”—and here’s where I played the trump card—“You’ll never stop us, because now we have Nelson Mandela on our side! And he told us we can do this!” “What?!” She was so confused. I’d had it. I started cussing her out. “Fuck you, lady. Fuck your program. Fuck your school. Fuck your whole people. Let’s go, guys! We’re out!” We didn’t walk out of that school. We danced out. We danced down the street pumping our fists in the air. “Go Hit-ler! Go Hit-ler! Go Hit-ler! Go Hit-ler!” Because Hitler had shut shit down. Hitler had the most gangster dance moves ever, and those white people didn’t know what hit them.
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Copyright © 2016 by Trevor Noah Al
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IMMORALITY ACT, 1927 To prohibit il
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RUN Sometimes in big Hollywood movi
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like bouncers at a club, and hold t
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failed her she’d use her wits. If
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you stealing our customers? Why are
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there, this little boy and his mom,
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BORN A CRIME I grew up in South Afr
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Many of the prostitutes in town wer
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he hadn’t, but once I existed he
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Traveling around the world today, I
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TREVOR, PRAY I grew up in a world r
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That’s all she did, all day, ever
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speakeasy. The shebeens were where
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using sonar. Every time she called
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praying continued. It went on for s
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CHAMELEON One afternoon I was playi
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As a kid I understood that people w
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was an ocean of black, like someone
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Before apartheid, any black South A
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and uncles had gone off to the citi
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through those. My books were my pri
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If we weren’t at school or work o
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Apartheid, for all its power, had f
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at school used overhead projectors
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She shrugged again. “So sad. I ho
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“What?” “Look, did you or did
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When I was seven years old, my moth
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I grew up in a black family in a bl
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oth. She brought them home, and I w
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They went back and forth. This woma
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ROBERT My father is a complete myst
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dad’s, where we’d watch Formula
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A bottle of Sprite. Custard with ca
Page 73 and 74: W hen Dutch colonists landed at the
Page 75 and 76: your grandfather couldn’t keep hi
Page 77 and 78: Things like that happened a lot. I
Page 79 and 80: Revenge truly is sweet. It takes yo
Page 82 and 83: A YOUNG MAN’S LONG, AWKWARD, OCCA
Page 84 and 85: Valentine’s card and the flowers
Page 86 and 87: OUTSIDER After finishing primary sc
Page 88 and 89: work for it—and I still get my br
Page 93 and 94: me the digits one by one as I wrote
Page 95 and 96: COLORBLIND At Sandringham I got to
Page 97 and 98: pedestrian out for a stroll. Once I
Page 99 and 100: “Is it David?” “No.” “Ria
Page 104 and 105: I got up onstage and Tom did some t
Page 106 and 107: There was a red Mazda that we’d h
Page 108 and 109: hair and started painting this crea
Page 110 and 111: “Are you ready?” I said. “Let
Page 112: I’d been dating a girl for over a
Page 115 and 116: GO HITLER! When I was in grade nine
Page 117 and 118: Business was booming. By matric I w
Page 119 and 120: Back then, most DJs could spin for
Page 121: someone must be the toughest guy of
Page 125 and 126: THE CHEESE BOYS My friend Bongani w
Page 127 and 128: settlement going on. Third, Fourth,
Page 129 and 130: In the hood, even if you’re not a
Page 131 and 132: “But who did this belong to?” I
Page 133 and 134: “Hey, let’s make a deal. We’l
Page 135 and 136: Everyone must know that your succes
Page 137 and 138: e a whole lot harder for an investm
Page 139 and 140: O nce, when I was ten years old, vi
Page 141 and 142: lesson, and now that lesson is the
Page 143 and 144: me aside and told me what I was in
Page 145 and 146: first night, everyone was giving me
Page 147 and 148: couldn’t afford anything but a st
Page 149 and 150: “I-I’m not fine, Your Honor. I
Page 151 and 152: M y favorite thing to eat as a kid,
Page 153 and 154: could lift car engines and gearboxe
Page 155 and 156: Xhosa woman no less, a culture whos
Page 157 and 158: “Respect?! You almost burned down
Page 159 and 160: She gives and gives and gives; that
Page 161 and 162: on it as well. Clients were getting
Page 163 and 164: Bramley, three neighborhoods away,
Page 165 and 166: wouldn’t happen again, but it was
Page 167 and 168: “This is all I can do,” she sai
Page 169 and 170: “Where are you now?” I said.
Page 171 and 172: times he pulled the trigger, and fo
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emergency room to give us an update
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W hen my mother was shot, so much h
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For my mother. My first fan. Thank
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ABOUT THE AUTHOR TREVOR NOAH is a c
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