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family in Soweto, my mom had no more freedom than she’d had in Transkei, so she ran away.<br />

She ran all the way down to the train station and jumped on a train and disappeared into the<br />

city, determined to sleep in public restrooms and rely on the kindness of prostitutes until she<br />

could make her own way in the world.<br />

—<br />

My mother never sat me down and told me the whole story of her life in Transkei. She’d give<br />

me little bursts, random details, stories of having to keep her wits about her to avoid getting<br />

raped by strange men in the village. She’d tell me these things and I’d be like, Lady, clearly<br />

you do not know what kind of stories to be telling a ten-year-old.<br />

My mom told me these things so that I’d never take for granted how we got to where we<br />

were, but none of it ever came from a place of self-pity. “Learn from your past and be better<br />

because of your past,” she would say, “but don’t cry about your past. Life is full of pain. Let<br />

the pain sharpen you, but don’t hold on to it. Don’t be bitter.” And she never was. The<br />

deprivations of her youth, the betrayals of her parents, she never complained about any of it.<br />

Just as she let the past go, she was determined not to repeat it: my childhood would bear<br />

no resemblance to hers. She started with my name. The names Xhosa families give their<br />

children always have a meaning, and that meaning has a way of becoming self-fulfilling. You<br />

have my cousin, Mlungisi. “The Fixer.” That’s who he is. Whenever I got into trouble he was<br />

the one trying to help me fix it. He was always the good kid, doing chores, helping around the<br />

house. You have my uncle, the unplanned pregnancy, Velile. “He Who Popped Out of<br />

Nowhere.” And that’s all he’s done his whole life, disappear and reappear. He’ll go off on a<br />

drinking binge and then pop back up out of nowhere a week later.<br />

Then you have my mother, Patricia Nombuyiselo Noah. “She Who Gives Back.” That’s<br />

what she does. She gives and gives and gives. She did it even as a girl in Soweto. Playing in the<br />

streets she would find toddlers, three- and four-year-olds, running around unsupervised all<br />

day long. Their fathers were gone and their mothers were drunks. My mom, who was only six<br />

or seven herself, used to round up the abandoned kids and form a troop and take them<br />

around to the shebeens. They’d collect empties from the men who were passed out and take<br />

the bottles to where you could turn them in for a deposit. Then my mom would take that<br />

money, buy food in the spaza shops, and feed the kids. She was a child taking care of<br />

children.<br />

When it was time to pick my name, she chose Trevor, a name with no meaning<br />

whatsoever in South Africa, no precedent in my family. It’s not even a Biblical name. It’s just<br />

a name. My mother wanted her child beholden to no fate. She wanted me to be free to go<br />

anywhere, do anything, be anyone.<br />

She gave me the tools to do it as well. She taught me English as my first language. She<br />

read to me constantly. The first book I learned to read was the book. The Bible. Church was<br />

where we got most of our other books, too. My mom would bring home boxes that white<br />

people had donated—picture books, chapter books, any book she could get her hands on.<br />

Then she signed up for a subscription program where we got books in the mail. It was a series<br />

of how-to books. How to Be a Good Friend. How to Be Honest. She bought a set of<br />

encyclopedias, too; it was fifteen years old and way out of date, but I would sit and pore

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