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Alexandra was a farm originally named for the wife of the white man who owned it. Like Sophiatown and<br />
other black spots populating white areas before apartheid, Alex started out as a squatter settlement where<br />
blacks gathered and lived when coming to Johannesburg to find work. What was unique about Alex is that this<br />
farmer sold plots of land to some of the black tenants in the time before it was illegal for blacks to own<br />
property. So while Sophiatown and other black ghettos were razed and rebuilt as white suburbs, Alex fought<br />
and held on and asserted its right to exist. Wealthy white suburbs like Sandton grew around it, but Alex<br />
remained. More squatters came and more squatters came, putting up makeshift shacks and shanties. They<br />
look like the slums in Mumbai or the favelas in Brazil. The first time I saw the favelas in Rio I said, “Yeah,<br />
that’s Alexandra, but on a hill.”<br />
Soweto was beautiful because, after democracy, you watched Soweto grow. Soweto has become a proper<br />
city unto itself. People went from three-room houses to five-room houses to three-bedroom houses with<br />
garages. There was room to grow because the piece of land from the government gave you something to build<br />
on. Alexandra can’t do that. Alex can’t get any bigger, because it’s pinned in on all sides, and it can’t build up,<br />
because it’s mostly shacks.<br />
When democracy came, people flooded into Alex from the homelands, building new shacks in the<br />
backyards of other shacks with still more shacks attached to the backside of those shacks, growing more dense<br />
and more compressed, leaving close to 200,000 people living in a few square kilometers. Even if you go back<br />
today, Alex hasn’t changed. It can’t change. It’s physically impossible for it to change. It can only be what it is.