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Digital Photographer's Software Guide - Bertemes - Net

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7<br />

RAW Converters<br />

The first step in the digital photographic workflow is to convert the RAW file. Many<br />

photographers rely on their camera to perform this conversion, a procedure that manufacturers<br />

believed would be almost universal when DSLRs were first introduced. It was<br />

not long, however, before photographers started noticing that RAW files devoted four<br />

extra bits to the image. What happened, they wondered, to all the extra information<br />

encoded by those four bits?<br />

When people gained practical experience with RAW files, it soon become apparent that<br />

additional information could indeed be extracted from them, given sufficient processing<br />

time. Desperate in particular for greater dynamic range, photographers jumped at<br />

the opportunity of using RAW instead of in-camera JPEGs, sometimes shooting in dual<br />

mode to gain the best of both worlds. The only problem, apart from speed, was the fact<br />

that RAW was not (and still is not) a single format but a multiplicity of proprietary formats.<br />

Canon has CRW, Nikon has NEF, Olympus has ORF, Pentax has PTX, and so<br />

on. No one publishes the source code, obliging users to accept the official conversion<br />

package usually but not always supplied with the camera.<br />

To be effective, RAW conversion needs to do a lot more than “de-mosaic” the image,<br />

although this is an important step that has a fundamental impact on resolution. The<br />

mosaic of red, green, and blue filters, with two green pixel sites for every red or blue one,<br />

becomes converted into complete RGB pixels by a process that guesses the missing values.<br />

The predominance of green provides a convenient luminance channel that serves as<br />

a guide for the overall light level. Once converted, the image is inevitably slightly soft,<br />

because of the overlapping values. It may also be noisy or have an incorrect color cast.<br />

Through no fault of the user it can have lens errors such as barrel distortion, vignetting,<br />

or chromatic aberration. All of these imperfections can and should be corrected at the<br />

earliest possible stage, in a processing package shortly after basic RAW conversion. It is<br />

for this reason that RAW converters, like Topsy, just seem to grow.

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