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Digital Photographer's Software Guide - Bertemes - Net

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<strong>Digital</strong> technology has led to a renaissance in both the appreciation and the practice of<br />

black and white photography, especially in the United States. This is partly because most<br />

digital cameras are fundamentally black and white instruments, despite their ability to<br />

produce color. The Bayer filter adds color by placing red, blue, and green filters above<br />

the individual light-collecting elements of the camera’s sensor, so to get the highest quality<br />

of black and white is simply a matter of removing its effect. There are at least six<br />

ways of doing this:<br />

■ Desaturate the colors<br />

■ Convert to grayscale<br />

■ Convert to Lab mode<br />

■ Use hue/saturation layers<br />

■ Use the channel mixer<br />

■ Use special software<br />

12<br />

Black and White<br />

Conversion<br />

Of these methods, simple desaturation of the color is least effective, because it produces<br />

images that look washed-out. Convert-to-grayscale is marginally better, as it takes<br />

account of the different weights given to the filtered colors. In Photoshop the conversion<br />

factor is 59% of the green, 30% of the red, and 11% of the blue channel.<br />

Converting to Lab mode makes the process easier because you can delete the “a”<br />

and “b” chroma channels to leave only the lightness channel. Playing with two hue/<br />

saturation adjustment layers in Photoshop is a time-consuming but very effective option.

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