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Digital Photographer's Software Guide - Bertemes - Net

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xxviii<br />

The <strong>Digital</strong> <strong>Photographer's</strong> <strong>Software</strong> <strong>Guide</strong><br />

Chapter 26, “Photo Album Creation,” helps you choose from dozens of good alternatives<br />

in this area. Whether you want to create virtual albums with page-turning simulation,<br />

or real, printed albums with clever layouts and classy bindings, this chapter will<br />

point you in the right direction.<br />

Chapter 27, “Slide Show Creation,” covers the gamut. Some readers will want quickand-easy<br />

slide shows, others might want to create professional shows with images synchronized<br />

to a soundtrack. Whatever your need, or if you simply want to give slide show<br />

creation a try, this chapter shows you what can be done.<br />

Chapter 28, “Image Rescalers,” begins part V. Making digital images larger for printing<br />

is more challenging than resizing them for the Web. The image rescalers described here<br />

are capable of adding millions of pixels while taking account of edges and other image<br />

content.<br />

Chapter 29, “Color Management,” describes the basic principles and lists many of the<br />

most effective tools. No longer the exclusive territory of the pro photographer, color<br />

management is available to all, and there is no better starting place than this chapter.<br />

Chapter 30, “Color Tools,” is for those really, really into color. It looks at specialist programs,<br />

some of which are far from the mainstream of photographic software. Color<br />

theory may be hard, but learning to use these plug-ins will help you gain a better understanding<br />

of it.<br />

Chapter 31, “RIP <strong>Software</strong>,” contains a wide selection of RIPs, with their strengths and<br />

weaknesses. So you are already using a RIP, either embedded in your printer or running<br />

separately as software. But is it the right one for your style of photography? Find out here.<br />

Chapter 32, “Virtual Proofing,” describes some of the different approaches that are finding<br />

popularity, including Web-based proofing services. The elimination of paper proofs<br />

by simulating them on calibrated screens is revolutionizing the creative arts industry.<br />

Chapter 33, “Backup <strong>Software</strong>,” begins part VI. Do you trust your operating system to<br />

make comprehensive, fail-safe backups, or do you want to check out what the most<br />

advanced third-party software can do? The backup software described here goes beyond<br />

the capabilities of today’s standard operating systems.<br />

Chapter 34, “Data Recovery,” contains a good selection of leading solutions, for recovering<br />

data from memory cards, disk drives, and optical media. It may be the kind of<br />

software that you turn to only in an emergency, but every photographer needs to know<br />

about data recovery.<br />

Chapter 35, “Pro Studio <strong>Software</strong>,” is a good chapter for wedding, portrait, school, and<br />

event photographers who need to keep track of customers’ details as well as look after<br />

forward planning, inventory control, and a host of other demands. The pro studio software<br />

described here offers a variety of solutions, from general bookkeeping to dedicated<br />

features that only a photographer needs.

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