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Digital Photographer's Software Guide - Bertemes - Net

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442<br />

The <strong>Digital</strong> <strong>Photographer's</strong> <strong>Software</strong> <strong>Guide</strong><br />

Importing Images<br />

The starting point in the workflow begins with importing images from either a media<br />

card or a disk drive. Having upgraded Aperture’s RAW conversion engine, Apple recommends,<br />

but does not demand, a RAW workflow. Selecting File> Import> Images<br />

brings up the complete Import window where you can select the source and the destination<br />

project. The window displays all the thumbnails from the selected card or folder.<br />

At this point, very usefully, you can choose which images or groups of images you want<br />

to bring into the Library. Alternatively, you can leave the images in their existing location<br />

if they are already on disk. Import takes place in the background, but you can begin<br />

work on the image even before the process has finished.<br />

Organizing with Stacks<br />

Aperture is particularly useful if you need to sort through dozens of similar shots, such<br />

as those taken in burst mode. It has several tools for doing this, of which Stacks is one.<br />

You can use it manually, taking images from anywhere in the Library and ranking them<br />

alongside a “pick” image, beneath which the stack can be made to collapse. However,<br />

its most effective mode is Auto-Stack, which allows you to specify a time interval<br />

between shutter clicks. Moving the slider control from the off-position through fractional<br />

increments up to one second, dramatically reduces the number of thumbnails<br />

displayed. Stacks is also indispensable for people who bracket their exposures. It reduces<br />

screen clutter significantly, but the hidden photos can be accessed instantly by clicking<br />

on the pick image.<br />

Compare Mode<br />

Following how photographers actually work, Aperture’s developers provide an essential<br />

Compare mode to help you decide between pairs of images without stacking them. To<br />

use it, select an image and press Return. This places your chosen picture on the left side<br />

of the viewer, with a green border to distinguish it as the source image. Beside it,<br />

Aperture places the next image in your project, which is often from the same burst if<br />

you shoot in burst mode. To compare the two, use the Loupe or Zoom features, select<br />

one of the images, reject the other, and navigate to a third to continue making comparisons.<br />

When you finally have the one you want, give it the top star rating and it will<br />

appear at the top of the stack in Stack mode.<br />

The Light Table Tool<br />

A free-form method of examining, grouping, and comparing images, Light Table has<br />

features no physical light table ever had. It is expandable (just nudge the edge with an<br />

image to make it bigger), can extend way beyond the viewing window, is scrollable in<br />

both directions, and the images are all resizable to give you ideas about future layouts.<br />

You can create a new Light Table at any time, save it in the Projects panel, and populate<br />

it by dragging images from the browser. Sorting tools allow you to expand groups of

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