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Digital Photographer's Software Guide - Bertemes - Net

Digital Photographer's Software Guide - Bertemes - Net

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10<br />

Image Editors<br />

Image editors bring techniques from the world of graphic design, such as object selection,<br />

transparency, and layering, to the service of photography. They allow you to crop<br />

and resize the image, while at the same time providing a set of retouching tools to<br />

remove blemishes and color casts. Some of them go very much further, adding full processing<br />

facilities such as RAW conversion and exposure adjustment, together with image<br />

browsing, sorting, and cataloging, plus all the output options of saving to the Web,<br />

printing, slide show creation, and DVD burning. On first acquaintance, their list of features<br />

and level of complexity can be a little daunting, as the number one image editor<br />

(Photoshop) amply demonstrates.<br />

Professional designers automatically gravitate to Photoshop, and then, after climbing a<br />

steep learning curve, become understandably reluctant to learn other software. The<br />

resulting dominance of Photoshop in the market has had a stunting effect on other products,<br />

cutting off revenues that could otherwise fund further development. Most developers<br />

have adopted the “if you can’t beat them, join them” approach by bringing out<br />

plug-ins for Photoshop, which sometimes obliges users to buy the Adobe product (or a<br />

compatible editor) simply to run a desired third-party plug-in.<br />

The industry, however, is changing. Adobe’s introduction of Lightroom specifically for<br />

photographers has highlighted the fact that photographic editing has different priorities<br />

than those of the graphic designer. Processing, shot selection, and color/tone adjustments<br />

come first, whereas retouching and special effects are secondary considerations. In the<br />

coming years, it is likely that Lightroom will siphon off from Photoshop all the tools that<br />

a photographer needs. Over at Corel, where the purchase of Ulead brings together two<br />

of Photoshop’s closest competitors, Paint Shop Pro Photo and Ulead PhotoImpact, a similar<br />

evolution is taking place. Here, too, there is recognition that digital photographers<br />

need a different set of tools from those used by illustrators and designers.

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