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THUGWISE CAT

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The Saga of FACES and VASES<br />

By Tracy Thomas<br />

There’s voices in the mandolin, some sort of chatter down in the f-holes.<br />

Now there’s a campfire and horrible mundane songs that matter to everyone<br />

but the soup stones, the antiphonies, the pariahs outside the firelight, those<br />

reprobates shivering in the woods with pink toadstools. Their bones have left<br />

them. Their bones are off to see the world. Their bones are drunk in Buenos<br />

Aires. They’re hiding in the jimson weed, crazy in the scent of moonflowers.<br />

Their bones are playing dominoes under the ponderosas. They’re sleeping on<br />

one leg with flamingos. The voices are telling a story they’ve chopped into<br />

pieces. They’re rasping at the grue. There’s a trunk with my father’s broken<br />

mandolin. I’m having a garage sale but it’s tricky getting rid of darkness. I<br />

got this dinner triangle of bones. I got the pulcher eye. I got Latinate<br />

adjectives, nonsensical objectives. I learned a dance in the lich gate. I’ll<br />

bring your turtle back to life, your wishing star heartbreak turtle in the hurdy<br />

gurdy of your head. The voices chopped the story into pieces now they’re<br />

black dove treble clef. Now they’re Ascension Day rain. They’re the sobs of<br />

smoldering wound. There’s voices hacked in pieces. They’re playing<br />

mandolin.<br />

It’s all about stories, if you can keep them from going into pieces;<br />

keep them from seducing the neighbor’s daughter in the tree house. Then the<br />

stories are looking for some sort of revenge for their mutilation. They want<br />

the quemada, the conflagrande, the auto-da-fe freeway. Maybe eat some<br />

folks, got them turning on a spit or they’ve got their heads together inventing<br />

something like a song, a chant, a groan, whatever to give voice to the<br />

nonsense or they’re getting on your nerves stirring up the goat herd, waking<br />

you from your pastoral idyll, send you sprawling from your dithyramb, no<br />

shoes, head on fire, burning fennel stalks waving at whoever’ll listen. I’m<br />

sick with that voice. Now I’m butchering some stories, hacking them into<br />

dusk persimmon calligraphy, flowered owls of smoke, fax machine abraxas.<br />

See how deep they’ll sink. Maybe they’ll send signs back from the depths.<br />

I’m going to slaughter some stories, stare into their entrails hanging from my<br />

hands for a message. Maybe hang them from the rearview mirror like lucky<br />

dice. The stories can be messy if they’re no more than bits of yourself, just<br />

bits of you chopped into the language of the birds, bits of you hacked into<br />

voces mysticae. Then you realize what you really have is potsherds and<br />

nettles.<br />

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