THUGWISE CAT
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The Saga of FACES and VASES<br />
By Tracy Thomas<br />
There’s voices in the mandolin, some sort of chatter down in the f-holes.<br />
Now there’s a campfire and horrible mundane songs that matter to everyone<br />
but the soup stones, the antiphonies, the pariahs outside the firelight, those<br />
reprobates shivering in the woods with pink toadstools. Their bones have left<br />
them. Their bones are off to see the world. Their bones are drunk in Buenos<br />
Aires. They’re hiding in the jimson weed, crazy in the scent of moonflowers.<br />
Their bones are playing dominoes under the ponderosas. They’re sleeping on<br />
one leg with flamingos. The voices are telling a story they’ve chopped into<br />
pieces. They’re rasping at the grue. There’s a trunk with my father’s broken<br />
mandolin. I’m having a garage sale but it’s tricky getting rid of darkness. I<br />
got this dinner triangle of bones. I got the pulcher eye. I got Latinate<br />
adjectives, nonsensical objectives. I learned a dance in the lich gate. I’ll<br />
bring your turtle back to life, your wishing star heartbreak turtle in the hurdy<br />
gurdy of your head. The voices chopped the story into pieces now they’re<br />
black dove treble clef. Now they’re Ascension Day rain. They’re the sobs of<br />
smoldering wound. There’s voices hacked in pieces. They’re playing<br />
mandolin.<br />
It’s all about stories, if you can keep them from going into pieces;<br />
keep them from seducing the neighbor’s daughter in the tree house. Then the<br />
stories are looking for some sort of revenge for their mutilation. They want<br />
the quemada, the conflagrande, the auto-da-fe freeway. Maybe eat some<br />
folks, got them turning on a spit or they’ve got their heads together inventing<br />
something like a song, a chant, a groan, whatever to give voice to the<br />
nonsense or they’re getting on your nerves stirring up the goat herd, waking<br />
you from your pastoral idyll, send you sprawling from your dithyramb, no<br />
shoes, head on fire, burning fennel stalks waving at whoever’ll listen. I’m<br />
sick with that voice. Now I’m butchering some stories, hacking them into<br />
dusk persimmon calligraphy, flowered owls of smoke, fax machine abraxas.<br />
See how deep they’ll sink. Maybe they’ll send signs back from the depths.<br />
I’m going to slaughter some stories, stare into their entrails hanging from my<br />
hands for a message. Maybe hang them from the rearview mirror like lucky<br />
dice. The stories can be messy if they’re no more than bits of yourself, just<br />
bits of you chopped into the language of the birds, bits of you hacked into<br />
voces mysticae. Then you realize what you really have is potsherds and<br />
nettles.<br />
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