25.04.2022 Views

ASA Journal 06/22

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

theme / review<br />

LIKE A CHAMELEON<br />

78 79<br />

13<br />

In the past, Ratchapruek Road was home to<br />

vast green areas of orchards before the urban<br />

sprawl reached the suburban neighborhood<br />

and turned it into a more urbanized residential<br />

area. The richness of nature, however, can be<br />

found in Koh Kret, an island located not too<br />

far from the site’s location. Evolving alongside<br />

the design of the façade and magical lighting<br />

design is the ‘light from a local story.’ The<br />

architects recreate the lights from fireflies<br />

that used to populate the Koh Kret area with<br />

their nighttime appearance with the lighting<br />

design where small LED bulbs are installed at<br />

the tip of the protruding aluminum strips. The<br />

miniature light bulbs are scattered throughout<br />

the surface of the façade and programmed to<br />

have varying illumination effects at different<br />

times of day. The firefly light can be seen more<br />

clearly later in the night, after the white light<br />

on the strips goes out.<br />

The transformation is not brought about only<br />

through lighting and aluminum strip installations,<br />

but through the redesigned interior program,<br />

which stylistically corresponds with the<br />

design of the exterior. One of the highlights of<br />

the project is the south wing entrance, which<br />

is designed to have a two-meter width, and installed<br />

with the same skin along and throughout<br />

the narrow side of the building. Just like<br />

the façade, the sidewalls and ceiling are clad<br />

with aluminum strips of varying lengths in<br />

a calculated randomized configuration, leading<br />

visitors toward the furthest end of the walls.<br />

The direction of the strips and LED bulbs on<br />

the sidewalls is slightly different from the ones<br />

on the exterior skin where the installation is<br />

turned upward. With the interior, the strips are<br />

directed toward the tunnel’s walkway while<br />

the strips and LED bulbs on the ceiling face<br />

downward. The furthest end of the tunnel<br />

reveals what looks like a pattern of tiny mosaic<br />

tiles at first glance. In reality, a closer look at<br />

the material reveals the details of aluminium<br />

strips, cut horizontally into small pieces, and<br />

used to clad every square meter of the wall.<br />

These elements render the end result of a<br />

dramatic focal point created by the pattern<br />

of aluminium strips and lighting, which work<br />

in tandem to make the space look stunningly<br />

photogenic when captured by a camera.<br />

On the day of my visit, it was already past<br />

nightfall, so luckily I was able to see the<br />

façade evolve into all its forms. The work got<br />

me thinking that if God really is in the details,<br />

then I must have failed to see one on my first<br />

encounter with the work. This time around,<br />

as I looked at the details, at different times of<br />

day, God appeared, along with the light, just<br />

like how the architects must have intended for<br />

us to meet, at specific times and places, right<br />

here on Ratchapruek Road.<br />

fb.com/hasdesignandresearch<br />

hasdesignandresearch.com<br />

สาโรช พระวงค์<br />

เป็ นสถาปนิก นักเขียน<br />

อาจารย์ประจำาคณะ<br />

สถาปั ตยกรรมศาสตร์<br />

มหาวิทยาลัยเทคโนโลยี<br />

ราชมงคลธัญบุรี ปั จจุบัน<br />

กำาลังศึ กษาต่อสาขา<br />

สถาปั ตยกรรมที่ Kyoto<br />

Institute of Technology<br />

Xaroj Phrawong<br />

is an architect, writer,<br />

and instructor at the<br />

Faculty of Architecture<br />

Rajamangala University<br />

of Technology Thanyaburi.<br />

Currently studying<br />

architecture at Kyoto<br />

Institute of Technology.<br />

13<br />

มุมมองจากภายในชั้น 2<br />

สู่ถนนราชพฤกษ์<br />

14<br />

มุมมองด้านข้างยาม<br />

กลางคืน เมื่อเปิดไฟที่<br />

เปลือกเต็มที่<br />

14<br />

Project: MoMA Location: Nonthaburi, Thailand Design Firm: HAS design and research Design Team: Jenchieh Hung, Kulthida Songkittipakdee,<br />

Jiaqi Han, Qin Ye Chen Landscape Design: TROP: terrains + open space Lighting Design: Light Is Aluminum Façade Technology: AB&W<br />

Innovation Aluminum Production Consultant: Goldstar Metal Lighting Product: Neowave Technology Constructor: SL Window

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!