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ASA Journal 06/22

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theme / review<br />

ART, ARCHITECTURE AND THE CITY<br />

96 97<br />

In advocating for the creation of “social”<br />

spaces, where people not only can gather<br />

collectively but chances of social interactions<br />

are deliberately encouraged through design,<br />

the Dutch architect and educator Herman<br />

Hertzberger proposes that buildings – whether<br />

public or private – should be designed “along<br />

urbanistic lines”. He suggests that this can be<br />

done through the blurring of the boundary<br />

between inside and outside, an interior organization<br />

that acts like a network of streets and<br />

squares, and a sense of openness without<br />

forgoing a clear demarcation between public<br />

and private areas. Another useful feature is<br />

the Corbusian promenade architecturale,<br />

which highlights and makes people’s movements<br />

theatrical, as sites of social life are,<br />

like the grand staircases of the 19 th century<br />

opera houses, places for “seeing and being<br />

seen”. The Jim Thompson Art Center, tucked<br />

away in the narrow alleyway of Kasem San 2<br />

in the very heart of Bangkok, just a few steps<br />

away from the Jim Thompson House Museum,<br />

evinces precisely the qualities of such a social<br />

space, with its flow of circulation that meanders<br />

through the building and always making<br />

us aware of other people and the neighborhood<br />

through the porosity of the building skin<br />

and the careful placement of voids, sightlines<br />

and openings.<br />

Even though the museum and art center are<br />

physically disconnected by a private house<br />

sandwiched in between them, the new art<br />

center is more of an extension than a separate<br />

entity, finally allowing the art program<br />

to get its own much-needed made-for-purpose<br />

exhibition spaces, having been formerly<br />

lodged within the traditional Thai building of<br />

the Jim Thompson House Museum. Run by the<br />

non-profit James H.W. Thompson Foundation,<br />

the task of designing the 3,000 sq.m. building<br />

was given to Design Qua, led by Malina<br />

Palasthira and John Erskine. Apart from two<br />

gallery spaces for rotating exhibitions on<br />

textiles, cultural topics and contemporary art,<br />

the program includes the William Warren<br />

Library, café, shop, offices, rentable multifunction<br />

space and open terraces for commercial<br />

events.<br />

SITE PLAN<br />

03<br />

ผังโครงการ<br />

3<br />

04<br />

กำาแพงอิฐที่ออกแบบคล้าย<br />

ลายผ้า สื่อความหมายของ<br />

ธุรกิจสิ่งทอของบริษัท<br />

05<br />

แสงสว่างส่องขึ้นจากพื้น<br />

เนื่องจากผู้ออกแบบแสง<br />

ต้องการให้ใกล้กับผู้ใช้งาน<br />

และเพื่อการดูแลรักษา<br />

4<br />

5

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