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GAZİANTEP ZEUGMA MOZAİK MÜZESİ

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Archaeology’s greatest achievement<br />

The Museum owned a great number of amazing pieces.<br />

However, the foundations for an extensive collection of<br />

sculpture began to be laid in the early 19 th century, with<br />

Greek, Roman and Egyptian artefacts. An ancient<br />

Egyptian stele inscribed with a decree issued in 196 BC<br />

on behalf of King Ptolemy V, discovered in 1799 near<br />

the town of Rashid (Rosetta) in the Nile Delta by a<br />

French soldier during Napoleon’s expedition to Egypt,<br />

led to a major breakthrough in archaeology. The<br />

Rosetta Stone, an ancient Egyptian stele inscribed in<br />

three scripts: Ancient Egyptian hieroglyphs, Demotic<br />

script (popular language in Ancient Egypt), and Ancient<br />

Greek, proved to be a most valuable tool for the<br />

deciphering of hieroglyphs. Because it presents<br />

essentially the same text in all three scripts, it provided<br />

the key to the modern understanding of Egyptian<br />

hieroglyphs. The Rosetta Stone, a 114 centimetres high,<br />

72 cm wide, and 28 cm thick stone of black granite,<br />

paved the way to the inception of Egyptology as a<br />

science. Meanwhile, British troops defeated the French<br />

in Egypt in 1801, and the original stone came into<br />

British possession under the Capitulation of Alexandria.<br />

Transported to London, it has been on public<br />

display at the British Museum since 1802. It is the<br />

most-visited object in the British Museum.<br />

Gifts and purchases from Henry Salt, British Consul<br />

General in Egypt, beginning with the Colossal bust of<br />

Ramesses II the Great in 1818, laid the foundations of<br />

the collection of Egyptian Monumental Sculpture.<br />

Weighing 7 tons, this fragment of his statue was cut<br />

from a single block of two-coloured granite. He is<br />

shown wearing the striped nemes head-dress surmounted<br />

by a cobra diadem. It was retrieved from the<br />

mortuary temple of Ramesses at Thebes (the ‘Ramesseum’)<br />

in 1816. The arrival of the head in England in<br />

1818 not only aroused widespread interest by the<br />

public and the scientific community, but inspired poets<br />

like Percy Bysshe Shelley to write poetry glorifying<br />

Ancient Egypt.<br />

Ottoman lands were next<br />

The interest manifested towards Ancient Egyptian art,<br />

prompted the British to expedite their archaeological<br />

activity in the East. The plundering started in Greece<br />

spread out to other parts of the Ottoman Empire. In<br />

1806, Lord Thomas Bruce, 7 th Earl of Elgin, Ambassador<br />

to the Ottoman Empire from 1799 to 1803 removed the<br />

large collection of marble sculptures from the Parthenon<br />

on the Acropolis in Athens and transferred them to<br />

the UK. In 1816 these masterpieces of western art, were<br />

acquired by The British Museum by Act of Parliament<br />

and deposited in the museum thereafter at the Duveen<br />

Gallery built especially for the Elgin Marbles. With the<br />

progressive extension of collections, the construction<br />

of new wings became indispensable. The famous<br />

circular Reading Room was designed and built by<br />

neoclassical architect Sir Sydney Smirke from a sketch<br />

drawn by Sir Anthony Panizzi, Chief Librarian at the<br />

British Museum Library opened in 1857. In 1840 the<br />

Museum became involved in its first overseas excavations<br />

with Charles Fellows’s expedition to the Antique<br />

settlement of Xanthos near Antalya Kınık in Turkey.<br />

Fellow removed and transferred to London historic<br />

treasures from the tombs of the rulers of ancient Lycia,<br />

Daniel Berehulak

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