the book of ceremonial magic contents - Yankeeclassic.com
the book of ceremonial magic contents - Yankeeclassic.com
the book of ceremonial magic contents - Yankeeclassic.com
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169:2 Psalm viii. and Psalm lxxi. in <strong>the</strong> Vulgate, toge<strong>the</strong>r with <strong>the</strong> Canticle <strong>of</strong> Simeon.<br />
§ 7. Concerning <strong>the</strong> Victim <strong>of</strong> <strong>the</strong> Art<br />
It is usually supposed that <strong>the</strong> <strong>of</strong>fering <strong>of</strong> a bloody sacrifice is an essential condition <strong>of</strong><br />
success in Black Magic and that <strong>the</strong> embrutement <strong>of</strong> <strong>the</strong> operator is <strong>the</strong> chief purpose <strong>of</strong><br />
<strong>the</strong> ordination. It is true that such an <strong>of</strong>fering is in most cases enjoined, but its object is<br />
simple and <strong>com</strong>monplace ra<strong>the</strong>r than diabolical or recondite, and <strong>the</strong> practice itself is<br />
based on <strong>the</strong> so-called White Magic <strong>of</strong> <strong>the</strong> Key <strong>of</strong> Solomon. It <strong>of</strong>fers<br />
p. 170<br />
ano<strong>the</strong>r instance that if this text be <strong>the</strong> head and fount <strong>of</strong> <strong>the</strong> Art, it is also <strong>the</strong> root <strong>of</strong> its<br />
diabolism. The Art--I should explain--has its victim, not because blood is required in <strong>the</strong><br />
one case more than <strong>the</strong> o<strong>the</strong>r, but because it was customary for pacts and pentacles to be<br />
written on parchment or vellum, and, in view <strong>of</strong> that doctrine <strong>of</strong> personal consecration<br />
already explained, <strong>the</strong> Black Magician had, as far as possible, to dispense with outside<br />
labour, to be his own whitesmith, his own penmaker, and hence also his own tanner.<br />
Alterius non sit qui suus esse potest was <strong>the</strong> maxim <strong>of</strong> Paracelsus, and it was carried<br />
fur<strong>the</strong>r in Goëtia than mere intellectual independence. Make yourself what you want; do<br />
not trust it to o<strong>the</strong>rs; it will not only possess more <strong>of</strong> your personal virtue, but you will be<br />
sure <strong>of</strong> <strong>the</strong> article--such might be <strong>the</strong> <strong>com</strong>mentary <strong>of</strong> <strong>the</strong> Grimoires upon <strong>the</strong> aphorism <strong>of</strong><br />
<strong>the</strong> sage <strong>of</strong> Hohenheim, and <strong>the</strong>re is <strong>the</strong> more reason in <strong>the</strong> counsel because even <strong>the</strong><br />
accessible substances required by <strong>the</strong> operator had usually some awkward conditions<br />
attached to <strong>the</strong>m, which might remain unfulfilled unless he himself was actively present<br />
in <strong>the</strong>ir preparation. A particular case in point is <strong>the</strong> parchment used in <strong>the</strong> Art. The<br />
<strong>magic</strong>ian was required to slay a lamb or kid with his own hands, not because <strong>the</strong>re was<br />
any symbolical importance attached to <strong>the</strong> act <strong>of</strong> destruction--<strong>the</strong> Grimoires make no<br />
such ascription--not because <strong>the</strong> blood was used-for its use is seldom prescribed--but to<br />
insure that <strong>the</strong> animal was one from which virgin parchment or virgin vellum could be<br />
prepared.<br />
That is called virgin, says <strong>the</strong> Book <strong>of</strong> True Black Magic, which is made from animals<br />
that have never engendered, males above all, 1--from which definition it is obvious that<br />
recourse<br />
p. 171<br />
to <strong>the</strong> pr<strong>of</strong>essional tanner might jeopardise <strong>the</strong> entire injunction. But seeing that every<br />
operation undertaken in <strong>the</strong> Art assumed a religious aspect, <strong>the</strong> slaughter <strong>of</strong> <strong>the</strong> animal<br />
became a sacrifice 1 and had its ac<strong>com</strong>panying ceremonies, prayers and invocations, each<br />
ritual possessing its own variants.<br />
The preparation <strong>of</strong> <strong>the</strong> virgin parchment is given as follows in <strong>the</strong> Grimorium Verum: 2--<br />
CONCERNING THE VICTIM OF THE ART 3