the book of ceremonial magic contents - Yankeeclassic.com
the book of ceremonial magic contents - Yankeeclassic.com
the book of ceremonial magic contents - Yankeeclassic.com
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Miscellaneous and Minor Processes<br />
§ 1. Concerning Works <strong>of</strong> Hatred and Destruction<br />
THE following process appears in several manuscript copies <strong>of</strong> <strong>the</strong> Key <strong>of</strong> Solomon, but<br />
has been omitted by <strong>the</strong> English editor <strong>of</strong> that work, as o<strong>the</strong>rs are also omitted,<br />
presumably as a Goëtic interpolation. But we have seen that a Goëtic process in a <strong>book</strong><br />
like <strong>the</strong> Key <strong>of</strong> Solomon is not necessarily an interpolation, while as regards this<br />
particular instance it is very nearly evident that it is an integral portion <strong>of</strong> that dubious<br />
collection. In <strong>the</strong> second chapter <strong>of</strong> <strong>the</strong> first <strong>book</strong> we are told that <strong>the</strong> days and hours <strong>of</strong><br />
Mars are suitable for overthrowing enemies, while <strong>the</strong> hours <strong>of</strong> Saturn and Mars, and also<br />
<strong>the</strong> days on which <strong>the</strong> Moon is in conjunction with those planets, are excellent for<br />
experiments <strong>of</strong> hatred, enmity, quarrel and discord. In <strong>the</strong> first chapter <strong>of</strong> <strong>the</strong> second <strong>book</strong><br />
it is said:--As for operations <strong>of</strong> destruction and desolation, we should put <strong>the</strong>m into<br />
execution on <strong>the</strong> day <strong>of</strong> Saturn at <strong>the</strong> first hour, or ra<strong>the</strong>r at <strong>the</strong> eighth or fifteenth <strong>of</strong> <strong>the</strong><br />
day, and from <strong>the</strong> first until <strong>the</strong> eighth hour <strong>of</strong> <strong>the</strong> night. . . . From <strong>the</strong>se statements it<br />
seems fair to infer that <strong>the</strong>re must have been a section containing directions as to <strong>the</strong><br />
performance <strong>of</strong> such works. In this case, <strong>the</strong> Key <strong>of</strong> Solomon is nei<strong>the</strong>r better nor worse<br />
than any o<strong>the</strong>r Grimoire <strong>of</strong> Black Magic--as indeed we have reason to know by its<br />
admitted<br />
p. 298<br />
sections. The apologists <strong>of</strong> <strong>the</strong> Clavicle--if <strong>the</strong>re are any apart from its English editor-will<br />
probably cite in defence <strong>of</strong> it a passage which occurs in Book i. c. 8, in which <strong>the</strong><br />
author pr<strong>of</strong>fers his secrets on <strong>the</strong> express condition that <strong>the</strong>y shall not be used to ruin and<br />
destroy one's neighbour. But when every allowance has been made for this stipulation,<br />
we shall do well to remember that similar warnings are not wanting in purely Goëtic<br />
rituals. There is fur<strong>the</strong>r ano<strong>the</strong>r test by which <strong>the</strong> au<strong>the</strong>nticity <strong>of</strong> <strong>the</strong> following process<br />
may be largely determined, and that is <strong>the</strong> manner <strong>of</strong> its wording, which corresponds<br />
closely with <strong>the</strong> prevailing manner <strong>of</strong> <strong>the</strong> Clavicle. It is a loose and general wording,<br />
covering several classes <strong>of</strong> experiment, and-if any one is sufficiently ridiculous or<br />
sufficiently ultra-serious to desire that <strong>the</strong> question be tested-it may be <strong>com</strong>pared with<br />
Book I. c. xv., xvi., xvii., in which <strong>the</strong> same characteristics will be found.<br />
The process itself is as follows:--Experiments upon enemies may be performed in several<br />
ways, but, whe<strong>the</strong>r with waxen images or some o<strong>the</strong>r instrument, <strong>the</strong> particulars <strong>of</strong> each<br />
must be diligently and faithfully observed. Should <strong>the</strong> day and hour fail <strong>the</strong>e, proceed as<br />
already laid down, and prepare <strong>the</strong> image or instrument proper to this effect in <strong>the</strong> order<br />
and manner <strong>the</strong>re<strong>of</strong>. Fumigate with <strong>the</strong> Proper perfumes, and if writing be required on <strong>the</strong><br />
image, let it be done with <strong>the</strong> needle or stylet <strong>of</strong> <strong>the</strong> art, as aforesaid. Next recite <strong>the</strong><br />
following words once over <strong>the</strong> said image:--VSOR, DILAPIDATORE, TENTATORE,<br />
SOIGNATORE, DEVORATORE, CONCITORE, ET SEDUCTORE. O all ye ministers<br />
and <strong>com</strong>panions, I direct, conjure, constrain and <strong>com</strong>mand you to fulfil this behest<br />
willingly, namely, straightway to consecrate this image, which is to be done in <strong>the</strong> name