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Halsted B. Vander Poel Campanian collection - Calisphere

Halsted B. Vander Poel Campanian collection - Calisphere

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Series II. Tatiana Warscher papers, 1912-1997, bulk 1924-1960<br />

Series II.B. Writings, 1935-1997<br />

Box 112, Folder 4 "Compendium of Fiorelli, Pompeianarum Antiquitatum Historia , volumes I and II,"<br />

INVENTORY OF THE HALSTED B.<br />

VANDER POEL CAMPANIAN<br />

COLLECTION, circa 1570-1997<br />

undated<br />

Physical Description: 108 leaves<br />

Scope and Content Note<br />

Incomplete annotated typescript of unpublished work. <strong>Vander</strong> <strong>Poel</strong> continued this<br />

project, see below Box 267.<br />

Box 112, Folder 5 "VI, 9, 6, Casa di Castore e Polluce," undated<br />

Physical Description: 37 leaves<br />

Scope and Content Note<br />

Typescript of unpublished work.<br />

Box 112, Folder 6 Edited typescripts of articles, 1996<br />

Physical Description: 65 leaves<br />

Scope and Content Note<br />

Typescripts of "Reflections in the Cemetery," "Antique and Modern Cemeteries," and<br />

"What I Remember about Pavel Nikolaevic..." edited by <strong>Vander</strong> <strong>Poel</strong>; includes cover<br />

letter.<br />

Series II.C. Photographic documentation of Pompeii, 1912-1960<br />

Physical Description: 18.2 linear feet<br />

Scope and Content Note<br />

Warscher's set of almost 5,000 3.5 x 4.5 inch format acetate negatives and the prints<br />

produced from them comprise this subseries. These photographs represent the core of<br />

Warscher's attempt to systematically document the remains of Pompeii. Her intent was to<br />

photograph the entire site, but for much of the time that she studied Pompeii, Warscher's<br />

access to certain parts of the site was restricted, particularly in the area of the “nuovi<br />

scavi.” However, with the exception of these off-limits areas, her coverage of the site is<br />

quite thorough. Additional Warscher negatives in other formats are also found in the<br />

following subseries.<br />

Although, with few exceptions, Warscher's individual negatives are undated, it is clear<br />

that Warscher photographed the same structure at different times. Not all the images of<br />

a structure are from the same period, as is shown by changed states of preservation. The<br />

earliest image in the <strong>collection</strong>, showing the peristyle in the Casa dell'Ancora Nera (VI 10,<br />

7), negative number 418a, dates to a vacation trip to the site in 1912.<br />

The individual photographic prints presented in this subseries come from three sources.<br />

About 900 prints were produced for Warscher and are identifiable by notations in her<br />

hand on the back. Another group of circa 1,000 prints were made for <strong>Vander</strong> <strong>Poel</strong> from<br />

Warscher's negatives. Many of these have notations in <strong>Vander</strong> <strong>Poel</strong>'s hand. A third group<br />

of almost 3,000 contact prints were produced by the Getty Research Institute. These<br />

prints are identifiable by their black borders.<br />

The photographs of the site are arranged in region and insula order. When preserved,<br />

Warscher's original housing envelopes are included with the photographs. Notations on<br />

the envelopes indicate negative counts for structures in various years. Also the glassine<br />

envelopes used by <strong>Vander</strong> <strong>Poel</strong> for rehousing Warscher's negatives are included if they<br />

have added notes. Warscher's negative lists follow the photographs.<br />

2002.M.16 143

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