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Halsted B. Vander Poel Campanian collection - Calisphere

Halsted B. Vander Poel Campanian collection - Calisphere

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Series VII. Research in <strong>Campanian</strong> Archaeology (RICA) research materials, 1724-1996, bulk, ...<br />

Series VII.B.Visual documentation of Pompeii, 1767-1975, undated<br />

INVENTORY OF THE HALSTED B.<br />

VANDER POEL CAMPANIAN<br />

COLLECTION, circa 1570-1997<br />

Series VII.B.1. Photographs, circa 1881-1906, 1959-1975, undated<br />

Physical Description: 19.1 linear feet, 2 flat file folders<br />

Scope and Content Note<br />

In conjunction with the photographs in the preceding series, this subseries provides a<br />

comprehensive visual record of the archaeological remains of Pompeii. <strong>Vander</strong> <strong>Poel</strong><br />

was interested in photography as a medium for recording both the past and present<br />

states of preservation at Pompeii. To this end, he collected a small number of original<br />

early photographic prints, but he primarily commissioned copy work photography of<br />

large numbers of early photographs of the site. As for the current state, he<br />

commissioned new photographic campaigns, such as the detailed documentation of<br />

facades.<br />

Arrangement<br />

The organization of the photographs presented in this subseries is somewhat<br />

confusing, but it reflects the different ways in which <strong>Vander</strong> <strong>Poel</strong> sorted his material.<br />

The subseries is arranged in the following sections: early photograph albums, site<br />

photographs, object photographs, copy work from archival <strong>collection</strong>s and<br />

miscellaneous photographs. The site documentation is further divided into groups<br />

organized by location, thematic groups and then miscellaneous site photographs. The<br />

confusion arises from the fact that although <strong>Vander</strong> <strong>Poel</strong> generally used these<br />

categories, he did not strictly adhere to them. For example, many of the copy work<br />

photographs from a given archival <strong>collection</strong> will be grouped intact, but a portion will<br />

have been dispersed into the other categories.<br />

Box 403-405 Photograph albums, circa 1881-1900<br />

Box 403 Giorgio Sommer, Napoli, circa 1881<br />

Physical Description: 1 album (60 photographic prints) : albumen; 31 x 39<br />

cm., prints 20 x 25 cm. or smaller<br />

Scope and Content Note<br />

This album contains images of Naples and environs. Neighboring sites<br />

illustrated include Ischia, Capri, Pozzuoli, Caserta, Amalfi, Salerno, Sorrento,<br />

Paestum, Vesuvius, San Sebastiano and Pompeii.<br />

Box 404 Michele Amodio, Pompei, circa 1882<br />

The album has an elaborate binding and it was noted by <strong>Vander</strong> <strong>Poel</strong> as<br />

"legatura particolare per F. Niccolini Editore." The red leather album cover bears<br />

a title and framing element in high relief with brass bosses at the corners. The<br />

edges of the mounts are also colored red and decorated with gold stars.<br />

Physical Description: 1 album (99 photographic prints) : albumen; 23 x 15.5<br />

cm., prints 16 x 10.5 cm. or smaller<br />

Scope and Content Note<br />

The images in this album are primarily architectural views of the site, but it also<br />

includes details of wall paintings, mosaics, statues and household goods, as well<br />

as plaster casts of bodies found in the excavations. Some photographs are<br />

labeled with the year of excavation; the latest date is 1881. <strong>Vander</strong> <strong>Poel</strong> has<br />

added annotations on the mounts.<br />

This album is related to two other Amodio albums of Pompeii held by the Getty<br />

Research Institute (see Special Collections accession numbers 91.R.2 and<br />

93.R.111).<br />

2002.M.16 372

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