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PRIMĂRIA VECHE DIN SIBIU casa, oamenii, muzeul

PRIMĂRIA VECHE DIN SIBIU casa, oamenii, muzeul

PRIMĂRIA VECHE DIN SIBIU casa, oamenii, muzeul

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Primăria Veche din Sibiu - <strong>casa</strong>, <strong>oamenii</strong>, <strong>muzeul</strong> 109<br />

the details on the framed decorations. The passage of the building’s architectural style left<br />

traces on the interior as well. A door pane was engraved with a scene having Hercules with a<br />

club in the close-up image, a representation reminding us of the last owner of the building, the<br />

royal Comit, Marcus Pemfflinger, famous army general, who preferred to spend his fortune to<br />

equip his army rather than maintaining his house. In fact, we can accept the hypothesis of the<br />

finishing of the residence ensemble along with the one with representative functions during<br />

the Lulay period can be endorsed until new information arise. We can thus wonder what the<br />

interior space was meant for. The first floor of the tower and of the segment behind it to the<br />

north were certainly used as housing spaces, as they were heated by two fireplaces: a large<br />

one in the residence tower and a smaller one placed in an adjoining room. Beginning with the<br />

18 th century we have documentary information of the heating using a terracotta tiled stove, of<br />

the large room on the first floor, the Landtagsaal.<br />

On the ground floor the spaces were meant for domestic activities. The noblemen kept<br />

their horses on the ground floors of all towers in the city. It would have been only natural that<br />

Thomas Altemberger has done the same. Behind the tower was a small chamber that still<br />

retains a large diameter chimney place. In this case the assumption of the existence of a place<br />

for cooking food, or baking bread, is quite at hand. To the north there is a large chamber with<br />

windows opening towards the lower city that used to be directly linked through other spaces<br />

to the leisure garden, to the cellar and the assumed latrine. We presume that this was a<br />

socializing space. The house had a large cellar and an attic with a skylight window.<br />

The proposed partition of the spaces in the house is intricate only at first glance, as in<br />

the last quarter of the 15 th century the aristocracy in Sibiu becomes emancipated in contact<br />

with the new cultural values promoted in Western Europe. In this context, the arranging of a<br />

latrine with access directly from the inside of the house is a plausible reality. We are however<br />

less interested whether the latrine was built by Thomas Altemberger or Johannes Lulay. The<br />

technique used for building a brick enclosure that starts in the basement of a house, and<br />

deepening further 8.5 metres, using discharge arcs built in the structure of the brick walls, is<br />

quite impressive. The latrine booth was ventilated through an opening in the wall up to the<br />

roof.<br />

After the year 1545 the building was turned into residence of the City Magistrate, the<br />

county, and sometimes of the Saxon University. The old housing building needed to suit its<br />

new functions: hosting the magistrate’s meetings, the trials, the archive and the prisoners.<br />

There were also, at least in the 19 th century (when they were first recorded in the documents),<br />

offices for the civil servants. The building was extended during the 16 th century towards the

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