Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Sie wollen auch ein ePaper? Erhöhen Sie die Reichweite Ihrer Titel.
YUMPU macht aus Druck-PDFs automatisch weboptimierte ePaper, die Google liebt.
TUTORIAL<br />
LIFE’S A BEACH<br />
04<br />
Choose black for what you don’t want<br />
and white for what you do want. Use the X on the<br />
keyboard to change the Brush (B) fill from Black to<br />
white. Make sure all the areas that are brushed in,<br />
either Black or White, are completely filled in so<br />
there are no gaps in your mask.<br />
05<br />
Open the background image<br />
and drag the Barbie image using<br />
Move Tool (V) onto it. Position and<br />
resize her until she’s on scale with<br />
the scene. Free Transform (command<br />
T) or File > Free Transform, to select<br />
the layer and size as required.<br />
06<br />
Because Barbie has a layer<br />
mask, you can now fine tune her edges<br />
so she blends in better, using your Brush (B).<br />
Any objects that should be in front of the<br />
subject, in this case Barbie’s cup, you should<br />
select using the Marquee Tool (M) and copy<br />
and paste it onto a new layer. Blend by<br />
making a mask. On the bottom of the layer<br />
window, select the circle in the rectangle to<br />
add a layer mask to that layer). Using your<br />
Brush tool (B) delete and blend as required.<br />
104 | DIGITAL PHOTOGRAPHY
Change language