Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
Tip: Changing Opacity and Fill<br />
gives different results with Dodge<br />
Mode. Experiment with them.<br />
05<br />
Details (part I)<br />
Now you can work on smaller details such as ears and tongue.<br />
Add leaves to your composition. As you can see, there’s just<br />
one image, which I duplicated and transformed. This diversity<br />
makes the illustrations more dynamic.<br />
06<br />
To make a pattern for the horn, you need to use Illustrator. Create a new<br />
file in Illustrator and place your psd file into it. Lock the image (ctrl + 2).<br />
Create four lines with equal anchor points. Select these lines and apply<br />
Blend Tool to them. You can edit lines in order to make them look<br />
natural. Copy the blended lines and paste them in your psd file as pixels.<br />
To make the pattern look more realistic, you need to create shadow and<br />
light on the horn. Change the mode from normal to multiply and reduce<br />
the opacity from 100% to 60%. This is the shadow side. To create a light<br />
side you need to duplicate the layer and move it to a couple of steps.<br />
Invert the colour from black to white (Ctrl + I). Then change the mode of<br />
the layer to Colour Dodge and reduce the Opacity to 20-30%. Intensity<br />
of the shadow layer should be reduced on the borders. Make a mask and<br />
brush away to reduce texture as desired on the layer. Add the polka dot<br />
pattern to the left horn.<br />
Horns (part II)<br />
PHOTOSHOP PROJECTS | 151
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