Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
PERFECT BEAUTY TUTORIAL<br />
09<br />
Creating atmosphere<br />
Now we’ll focus on the background and foreground to<br />
create a light atmosphere for the artwork. Create a new<br />
layer above the background layer and paint with white<br />
using a soft brush from top to bottom. After you’ve<br />
finished, open the ‘sphere.png’ and place it above all<br />
the layers. Now you’ve got the sense of the model<br />
floating among white haze or fog.<br />
10<br />
Details<br />
We will now add mode details to the model face. You can do this in many<br />
ways, and the simplest way is to create a new layer on top of the layers of<br />
the model group and set the blend mode to ‘soft light’. Start creating<br />
different shapes and lines on the face. With the soft light blend mode, you<br />
will still be able to get the highlights and shadows of the layers below.<br />
11<br />
Adjusting exposure<br />
The top part of the face is underexposed<br />
compared to the bottom and the<br />
background. We will fix that by creating<br />
a new layer within the face group and on<br />
top of all layers. Paint a soft white brush<br />
onto the top part of the face and set the<br />
blend mode to ‘soft light’.<br />
124 | PHOTOSHOP PROJECTS
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