Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
BERNARDO HENRIQUES IS A STUDENT AT THE FACULTY OF FINE<br />
ARTS IN LISBON, PORTUGAL. HE IS EXPLORING ALL THE FORMS<br />
DIGITAL ARTWORK CAN TAKE – INCLUDING AT THE 3D LEVEL.<br />
01<br />
Shape and sketch<br />
First of all I tried to make a shape and<br />
start on a sketch of what I wanted to<br />
achieve just to know about composition<br />
settings and to get a sense of space. I<br />
need to say that this piece was done<br />
without any visual references but in<br />
many of my artworks I trend to use<br />
photography as a visual aid to get to the<br />
point of my concept. In this initial phase I<br />
pretty much wanted to do this freaky<br />
mouth in a hardcore way.<br />
02<br />
Shape and sketch II<br />
As I continue to work on this piece I<br />
extend my hardcore feel into it, so<br />
now you can see that this mouth is<br />
just on a piece of skin. At this point<br />
I’m starting to “block” the visual value<br />
of the mouth, applying the darkness<br />
from the inside out as well as<br />
progressing on the main sketch. From<br />
here forward it’s going to be all about<br />
the mouth realist appearance.<br />
03<br />
Painting and anatomy<br />
Now I’m more focused on the realism<br />
of the mouth and how the mouth is<br />
expressing an emotion. This is the<br />
part where I get more creative and<br />
have more fun by giving personality to<br />
a mouth not caring about the whole face.<br />
I’m using one single brush for the whole<br />
painting part of the tutorial; it’s not the<br />
usual way to do it, but it provides a real<br />
controlled feeling of the brush stroke<br />
allowing you to know exactly how to<br />
define your own boundaries.<br />
PHOTOSHOP PROJECTS | 69
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