Photoshop Projects Volume 14

MR HOLLYWOOD
IMAGES
BATTER
» (LEFT) A shot for
a German baseball
team who were
playing in the first
league. This is a
compositing of two
images for an edgy
look. The background
is an HDR shot.
GOLFER
» (BOTTOM LEFT)
For this shot of a
German golfer I used
a three-light setup.
Two lights coming
from the back
(striplights) and
one main light
(beauty dish).
Gear
I shoot with a Canon 5D Mark II and two
lenses, an 85mm f/1.2 and a 25-105mm
f/4.0 lens. For lighting I use gear from
Hensel, a great German company. I’m
not a technical freak; I don’t care too
much about the technical stuff so I’m
not the best person to ask which camera
to buy. I know what works for me.
I definitely recommend having a plan,
a goal and then doing the retouching.
Who are your major clients?
In seminars there’s a mix of professional
photographers and people who take
photos for fun, but it’s mostly industry;
Adobe, advertising agencies, companies
etc. My photographic clients are usually
artists, singers and actors. I occasionally
work on big advertising campaigns.
Why do you think clients choose you?
The images are one part, but I think they
choose me because of my personality and
the way I handle things. Of course, first
impressions are always made based on
my images – that makes me interesting –
but you still have to be able to talk budget
and logistics. Other people can create the
same images I do, but the personality is
unique. I try to increase my personality
as much as I can because my clients want
to have me, not my competitors.
What do you want your images to say?
My images have a strong impact. There
isn’t always a message, but I want people
to look at an image and feel like they have
to look at it, like they’re being drawn in.
It’s not necessarily a message, it’s more of
a thought process: “Wow, so many details,
look at the colour and harmony, I like that.”
My goal is always to make people look
longer than five seconds. I don’t like to
apply too much, because everyone sees
something unique in an image.
Can you explain your “Calvinize”
technique?
Somebody called my style Calvinize, and
it stuck, but it’s not my overarching style.
I think you could define it as working with
a lot of details and doing everything just
a little bit more than necessary. There are
a lot of people using a similar style. I don’t
want to be bound by one style. I don’t care
about rules, I just do it. My pictures are
PHOTOSHOP PROJECTS | 17