Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
NICOLAS ANDRADE IS A BRAZILIAN MUSICIAN AND DESIGNER WITH<br />
7 YEARS EXPERIENCE FOCUSED ON WEB DESIGN AND DIGITAL ART.<br />
CHECK OUT HIS WORK AT:BEHANCE.NET/ANDRADE_NICKO<br />
01<br />
Creating the ground<br />
The first thing we need to do is to set<br />
the basis for everything, and for this<br />
you must first define what will be the<br />
foreground. Create a circle using the<br />
Ellipse Tool (U). Use the Warp Mode to<br />
give the wavy shape, which will give<br />
the idea of proportion to the ground.<br />
02<br />
Growing grass<br />
Open the image “grass.tif” and cut<br />
the grass to fill the ellipse. After<br />
making sure that you fill in all the<br />
form, create a Clipping Mask and<br />
create a new layer for the shadow.<br />
Draw a black line, using the Soft<br />
Round Brush at around 100px at<br />
the base vector and then apply<br />
the Blend Mode Overlay.<br />
03<br />
Base work<br />
This process is very<br />
similar to creating<br />
the floor – you must<br />
create a stone base<br />
with a vector and<br />
define the Warp Mode<br />
shape that will be<br />
used as a mask.<br />
PHOTOSHOP PROJECTS | 127
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