Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
DENITSA TOSHIROVA IS A BULGARIAN-BORN PHOTOGRAPHER CURRENTLY<br />
BASED IN EDINBURGH, SCOTLAND. SELF-TAUGHT AND TENACIOUS, SHE IS<br />
CURRENTLY AT EDINBURGH NAPIER UNIVERSITY. BEHANCE.NET/TOSHIROVA<br />
01<br />
Choose your image<br />
As this photograph is part of an ongoing<br />
project, I composed it so that I could use<br />
the dark scarf space for the double<br />
exposure effect. I usually have in mind<br />
exactly what I want to create and which<br />
photograph I’ll use for the double<br />
exposure. It’s good to have prepared<br />
everything before beginning the postproduction<br />
process.<br />
02<br />
Black and white<br />
This series is in black and white, and most of the<br />
photographs are “high key”, so the first thing I do is turn the<br />
photograph into a black and white shot, making a few minor<br />
brightness and contrast adjustments. You might decide you<br />
want your photographs in colour, so this is up to the author.<br />
I use the Burn and Dodge tool to straighten or lighten<br />
shadows or certain details from the face and the body of the<br />
model and to make the photograph a bit more expressive. In<br />
this case I wanted the lips and shadows darker. Save this<br />
version of the photograph and then continue.<br />
PHOTOSHOP PROJECTS | 115
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