Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
PACKAGING DESIGN<br />
03<br />
Ram (part I) fur<br />
First, you need to create a brush for fur.<br />
Create a new file (100х100 px, Grayscale).<br />
Make four or five different circle selections<br />
and fill them with black colour. Select your<br />
circles, go to Edit Menu and Define Brush<br />
Preset, then name your brush. You’ll be able<br />
to change presets in the Brush pallette.<br />
Duplicate a layer with the ram’s head<br />
(Ctrl+J). The original image should stay<br />
the same the whole way through. It gives<br />
you an idea of how far you’ve progressed.<br />
Start to work on the fur with the brush<br />
you’ve created. Keep the same direction<br />
of the fur and place every stroke accordingly.<br />
Also, consider using the Dry Brush Tip Light<br />
Flow, which is a custom <strong>Photoshop</strong> brush.<br />
Just change spacing to 38%. The main<br />
concern at this stage is to create the<br />
correct construction of the head by<br />
using a combination of light and shadows.<br />
Sometime later, you will find yourself adding<br />
more natural highlights to the fur.<br />
IMPORTANT: Press Alt<br />
when using dodge/burn<br />
tool to switch between<br />
the two. Exposure can<br />
be changed by pressing<br />
numbers on your<br />
keyboard. For example,<br />
1=10%, 3=30%, etc.<br />
04<br />
Horns (part I)<br />
You need to now put colour on the right horn by<br />
using Hue/Saturation (Ctrl+U). Using the soft brush,<br />
fill in the gaps in the selection. Add a layer mask to<br />
the right horn and start to slice it.<br />
150 | PHOTOSHOP PROJECTS
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