Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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THE TRUTH ABOUT TEXTILES<br />
“<strong>Photoshop</strong> helps with everything from composing<br />
the pattern to making sure I get the colours I want”<br />
especially if it’s part of a collection and all<br />
the prints need to be balanced.<br />
Designing textiles for objects<br />
I love to design so it doesn’t matter that<br />
much to me what the object is. Of course<br />
you need to take into account the object<br />
if you’re going to make a design that will<br />
relate. You need to think about the size,<br />
colours and shapes that will make that<br />
specific object look nicer and be more<br />
appealing to people’s eyes.<br />
IMAGES<br />
SPEZZATO<br />
» (TOP LEFT AND<br />
OPPOSITE TOP)<br />
Gabriela Fuente<br />
Studio for<br />
Spezzato Spring<br />
Summer 2013<br />
Top five<br />
tips for an<br />
emerging<br />
designer<br />
STRIPED<br />
GLITCH<br />
» (TOP MIDDLE)<br />
Gabriela Fuente<br />
pattern<br />
WIND<br />
» (TOP RIGHT)<br />
Gabriela Fuente<br />
pattern<br />
IPHONE<br />
COVERS<br />
» (OPPOSITE, BOTTOM)<br />
Wild Brush, The<br />
Vintage Flower<br />
SWEET GIRL<br />
BACKPACKS<br />
» (LEFT) Gabriela<br />
Fuente Studio<br />
for Sweet Girl<br />
01 PRACTICE<br />
Design as much as you can.<br />
You can never get too much practice<br />
if you want to be excellent at what<br />
you do<br />
02 FEEDBACK<br />
Look for critiques from<br />
people in the market whom you’d<br />
like to work for. And also from people<br />
you trust. It’s important to have<br />
people looking at your work<br />
INDUSTRY WORK<br />
03 Do internships but never do<br />
unpaid internships. Always make sure<br />
they will at list cover you travel and<br />
food expenses. The experience is<br />
great for your portfolio<br />
STAY AWARE<br />
04 Observe and research as<br />
much as you can. You need to know<br />
trends in the industry<br />
HAVE FUN<br />
05Enjoy what you’re doing<br />
and have fun<br />
PHOTOSHOP PROJECTS | 77
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