Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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FEATURE<br />
JONFRID ELIASEN<br />
Five tips for<br />
using <strong>Photoshop</strong><br />
on fashion<br />
images<br />
BURN/DODGE TOOL<br />
01 It’s your best friend. But don’t<br />
go overboard with it.<br />
RETOUCHING SKIN<br />
02 It shouldn’t look creamy and blurry.<br />
Go nuts, and play with opacity and mask<br />
out/in until it’s where it looks natural. The<br />
Healing brush is great for smaller<br />
corrections – always sample similar quality<br />
and tone of skin, as what surrounds the<br />
imperfection you want to remove.<br />
03 LAYERS<br />
Use them continuously; one<br />
for facial skin, one for makeup, one for hair,<br />
one for body skin, one for clothes, etc. This<br />
way it’s easier to control what you’re doing.<br />
04 EXPERIMENT<br />
Have an initial idea of the final<br />
outcome, but don’t be afraid to do<br />
something out of the box. If you work<br />
smart with layers, you can always go back.<br />
REST YOUR EYES<br />
05 When you’ve reached a point<br />
where you think you’re done, leave the<br />
image for a day and then look at it again.<br />
The mistakes will pop out at you.<br />
86 | PHOTOSHOP PROJECTS
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