Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
CREATE AMAZING LETTERS<br />
01<br />
Sketching<br />
After scanning the sketch, place it<br />
on a layer and adjust the opacity to<br />
50% so it’s visible but more subtle.<br />
02<br />
Creating shapes<br />
Create a new layer and select the Pen<br />
Tool (P). Trace the outline of the sketch<br />
carefully – take special care to ensure<br />
the curves are as smooth as possible.<br />
Try to use low number of clicks. This<br />
will give a smoother look and feel.<br />
03<br />
Colour basis<br />
It is preferable that each path element occupies a<br />
separate layer for subsequent amendments and<br />
selections give us that. To colour the basis for the<br />
various layouts use the tool “new fill”, located in<br />
the “Layer” window, located at the lower end.<br />
With our selected path, click on the tool and<br />
select “solid colour”.<br />
62 | PHOTOSHOP PROJECTS
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