Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
19<br />
Sun<br />
To make the sun, you should use the Lighting<br />
Brushes. Try two different sizes with different<br />
arrangements. The first with 1200px in white with<br />
60% opacity, and 1800px, in the same colour, Overlay<br />
and 90% opacity and a second, more defined with<br />
lighting 800px white in colour, in which you must<br />
delete the centre with 500px of Eraser Tool.<br />
20<br />
Texture<br />
Open the image “texture.tif” and<br />
with the Colour Range choose<br />
the darkest corner and Fuzziness<br />
200 with Selection. Crop the<br />
image left and position on the<br />
mount of the island. Apply<br />
Multiply with 50% Opacity.<br />
21<br />
City<br />
Finally insert “landscape-city.tif”<br />
behind the clouds repeatedly to<br />
Darken Blend Mode and Opacity<br />
30%. It will add even more realism<br />
to Flying Island. To cut use Reveal<br />
Mask and overlap for a better result.<br />
PHOTOSHOP PROJECTS | 133
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