Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
SIMPLE CONCEPT<br />
10<br />
Work it all together<br />
Adjusting the composition and<br />
all the elements involved and,<br />
in addition to simple touches, to<br />
redefine edges. I create a couple of<br />
layers just to more easily manage the<br />
secondary elements.<br />
11<br />
Final touches<br />
With the Liquify tool and<br />
different gradients I<br />
create the rip-off tissue of<br />
skin, and with a low<br />
hardness level I create the<br />
skin reaction and mouth<br />
muscles in a simple and<br />
discrete way.<br />
12<br />
Tone and contrast<br />
I manage all the contrast of the<br />
image using a low opacity level on<br />
the brush to reach it in a clean way<br />
as well as the contrast tool to<br />
accentuate the darkest spots.<br />
72 | PHOTOSHOP PROJECTS
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