Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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TUTORIAL<br />
DOUBLE EXPOSURE PORTRAIT<br />
09<br />
Adjustments<br />
When you’re happy with the created<br />
photograph, you can do final Brightness<br />
and Contrast adjustments, but make<br />
sure you don’t over or underexpose<br />
the photograph. With digital<br />
photography it’s always tricky because<br />
of the different settings of the different<br />
monitors, but you can always use the<br />
Histogram to check if everything is ok.<br />
10<br />
Extra effects (optional)<br />
This isnt necessary, but because I wanted a more<br />
dynamic photograph, I decided to use one of the<br />
ready-to-use filters and effects from <strong>Photoshop</strong><br />
called Radial Blur. Again, you can use the History<br />
brush and remove whatever you feel is needless (as I<br />
did), applying the same rule about the use of the<br />
History brush tool.<br />
11<br />
Flip vertically<br />
And here is the final step. I flip<br />
the final image vertically to<br />
create the interesting and<br />
surreal effect I was looking<br />
for. And this is it.<br />
Use your creativity!<br />
118 | PHOTOSHOP PROJECTS
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