Photoshop Projects Volume 14
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
Photoshop knows no boundaries. Whether it’s age, skill or training, you’re only limited by your imagination. In this issue, we talk to young guns like Sebastian Andaur, who’s making a name for himself as a freelance art director while still in high school. Then there are the illustrators and lettering masters who maximise the tools and techniques of Photoshop to suit their own needs. Check out Gabriela Fuente’s patterns, designed for high-end fashion clients and created in Photoshop. The beauty of Photoshop is that it has almost limitless possibilites. Use it to take ordinary photos into the realm of the extraordinary. Shane Monopoli and Mark Gardner show us how to composite a gothic drama at Windsor Castle, while Rachel Lewis goes behind the scenes to create highenergy cosplay images. There are also loads of tips and tricks, interviews and inspirational articles on everything from lettering and 3D work to complex layers and high-end retouching. Happy Photoshopping!
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THE GLAMOUR KING<br />
Pro Tip<br />
Creating the perfect image<br />
I like to create drama and mood from my<br />
lighting, have an open mind about the end<br />
shot and nail the exposure. And with<br />
<strong>Photoshop</strong>, the possibilities are endless.<br />
You’re only limited by your imagination<br />
How long do you usually spend on<br />
one image in <strong>Photoshop</strong>?<br />
The amount of time we spend on images<br />
in <strong>Photoshop</strong> varies from image to image,<br />
sometimes hours, sometimes days. I’ve<br />
personally spent weeks on award-winning<br />
images. It really depends on what needs<br />
to be done to achieve the required result.<br />
You’ve won almost too many awards<br />
to count – what do you think makes<br />
your photographs really stand out?<br />
I think for me, every award I have ever<br />
won has been a personal project. I have<br />
a vision of how I want an image to look<br />
and I won’t stop working on it until<br />
I achieve that look.<br />
What tool do you use the most in<br />
<strong>Photoshop</strong> and why?<br />
Layers play a huge part in my workflow,<br />
and because I photograph a lot of women<br />
who want to look more beautiful than<br />
they are in real life, the cloning and<br />
healing brush tool get a work out.<br />
PHOTOSHOP PROJECTS | 43
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